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36 Ways of Writing a Vietnamese Poem
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36 Ways of Writing a Vietnamese Poem in Franklin, TN
Current price: $10.00
Barnes and Noble
36 Ways of Writing a Vietnamese Poem in Franklin, TN
Current price: $10.00
Loading Inventory...
Size: Audiobook
An explosive, devastating debut book of poetry from the acclaimed author of
The Boat
In his first international release since the award-winning, best-selling
The Boat,
Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.
In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.
But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.
Making use of multiple tones, moods, masks, and camouflages, Le’s poetic debut moves with unpredictable and destabilizing energy between the personal and the political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.
The Boat
In his first international release since the award-winning, best-selling
The Boat,
Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.
In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.
But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.
Making use of multiple tones, moods, masks, and camouflages, Le’s poetic debut moves with unpredictable and destabilizing energy between the personal and the political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.
An explosive, devastating debut book of poetry from the acclaimed author of
The Boat
In his first international release since the award-winning, best-selling
The Boat,
Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.
In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.
But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.
Making use of multiple tones, moods, masks, and camouflages, Le’s poetic debut moves with unpredictable and destabilizing energy between the personal and the political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.
The Boat
In his first international release since the award-winning, best-selling
The Boat,
Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.
In line with the works of Claudia Rankine, Cathy Park Hong, and Theresa Hak Kyung Cha, this book is an urgent, unsettling reckoning with identity—and the violence of identity. For Le, a Vietnamese refugee in the West, this means the assumed violence of racism, oppression, and historical trauma.
But it also means the violence of that assumption. Of being always assumed to be outside one’s home, country, culture, or language. And the complex violence—for the diasporic writer who wants to address any of this—of language itself.
Making use of multiple tones, moods, masks, and camouflages, Le’s poetic debut moves with unpredictable and destabilizing energy between the personal and the political. As self-indicting as it is scathing, hilarious as it is desperately moving, this is a singular, breakthrough book.
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