On their debut full-length
604
,
Ladytron
prove how apt their name is: their sound mixes evocative vintage synths and plaintive female vocals as it references over two decades' worth of
electronica
new wave
, and
rock
(including
Roxy Music
, whose
"Ladytron"
is the group's namesake). Like the
Commodore Rock
EP,
balances
's
experimental
and
pop
sides.
"Mu-Tron"
"Zmekya"
reinterpret
Add N to (X)
's noisy, dystopian soundscapes, and the shimmering
"CSKA Sofia"
sounds like
Kraftwerk
filtered through
Broadcast
. However, it's the tightly structured pop songs that set
apart.
Helen Marnie
is
's lovelorn heart and soul, a heartbroken disco diva singing through her tears on
"Another Breakfast With You"
"Discotraxx"
and a sadder but wiser confidante on
"Playgirl."
Meanwhile,
Mira Aroyo's
deadpan singing and Bulgarian accent add a touch of Ninotchka-style wit and irony to
"Paco!"
which parodies a department store's fake cheeriness, and
"I'm With the Pilots,"
a piece of Weimar Republic-era cabaret brought into the 21st century.
Marnie
Aroyo's
vocals blend perfectly on songs like the brooding, witty single
"He Took Her to a Movie."
But
's mix of retro songwriting and modern themes is their most interesting, and distinctive, aspect. Set at the airport and the disco,
"Jet Age"
blends jealousy and sexual ambiguity, asking "Do you want to be her or don't you / Of course you do / But would she be you?" This subversive streak makes the album's synth-pop more progressive -- and more satisfying -- than its blatantly experimental moments, but either way,
is an exciting debut from a group capable of making overused influences sound fresh again. ~ Heather Phares