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A Game for All Who Know
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A Game for All Who Know in Franklin, TN
Current price: $30.99
Barnes and Noble
A Game for All Who Know in Franklin, TN
Current price: $30.99
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Size: OS
In the early '70s, there were numerous privately pressed albums that held true to the spirit of the
psychedelic
age, even though mainstream
rock
had moved on to harder and more
progressive
sounds.
Ithaca
's 1973 album,
A Game for All Who Know
, is one such rarity, combining
folk-rock
,
psychedelia
, and
progressive rock
in a much more unassuming, breezy fashion than most bands with real recording contracts managed to do. While the songs are a little lightweight in their naivete, they're pretty melodious and tastefully produced (verging on the under-produced, in fact). It helps a lot that they have a good mix of male and female vocals, with woman singer
Lee Menelaus
projecting a sweet, serene tone that doesn't lapse into either sappiness or ostentatiousness. With just six tracks (most of which tend toward the long side), it sounds almost equally influenced by the lighter shades of both West Coast and
British psychedelia
(the occasional Mellotron being the most British ingredient). The best song,
"Questions,"
sounds like something that could have come off the
Rubble
series of late-'60s (largely U.K.)
obscurities, and though it was done too late to qualify for inclusion in that series, it would have been one of its better tracks if it had. ~ Richie Unterberger
psychedelic
age, even though mainstream
rock
had moved on to harder and more
progressive
sounds.
Ithaca
's 1973 album,
A Game for All Who Know
, is one such rarity, combining
folk-rock
,
psychedelia
, and
progressive rock
in a much more unassuming, breezy fashion than most bands with real recording contracts managed to do. While the songs are a little lightweight in their naivete, they're pretty melodious and tastefully produced (verging on the under-produced, in fact). It helps a lot that they have a good mix of male and female vocals, with woman singer
Lee Menelaus
projecting a sweet, serene tone that doesn't lapse into either sappiness or ostentatiousness. With just six tracks (most of which tend toward the long side), it sounds almost equally influenced by the lighter shades of both West Coast and
British psychedelia
(the occasional Mellotron being the most British ingredient). The best song,
"Questions,"
sounds like something that could have come off the
Rubble
series of late-'60s (largely U.K.)
obscurities, and though it was done too late to qualify for inclusion in that series, it would have been one of its better tracks if it had. ~ Richie Unterberger
In the early '70s, there were numerous privately pressed albums that held true to the spirit of the
psychedelic
age, even though mainstream
rock
had moved on to harder and more
progressive
sounds.
Ithaca
's 1973 album,
A Game for All Who Know
, is one such rarity, combining
folk-rock
,
psychedelia
, and
progressive rock
in a much more unassuming, breezy fashion than most bands with real recording contracts managed to do. While the songs are a little lightweight in their naivete, they're pretty melodious and tastefully produced (verging on the under-produced, in fact). It helps a lot that they have a good mix of male and female vocals, with woman singer
Lee Menelaus
projecting a sweet, serene tone that doesn't lapse into either sappiness or ostentatiousness. With just six tracks (most of which tend toward the long side), it sounds almost equally influenced by the lighter shades of both West Coast and
British psychedelia
(the occasional Mellotron being the most British ingredient). The best song,
"Questions,"
sounds like something that could have come off the
Rubble
series of late-'60s (largely U.K.)
obscurities, and though it was done too late to qualify for inclusion in that series, it would have been one of its better tracks if it had. ~ Richie Unterberger
psychedelic
age, even though mainstream
rock
had moved on to harder and more
progressive
sounds.
Ithaca
's 1973 album,
A Game for All Who Know
, is one such rarity, combining
folk-rock
,
psychedelia
, and
progressive rock
in a much more unassuming, breezy fashion than most bands with real recording contracts managed to do. While the songs are a little lightweight in their naivete, they're pretty melodious and tastefully produced (verging on the under-produced, in fact). It helps a lot that they have a good mix of male and female vocals, with woman singer
Lee Menelaus
projecting a sweet, serene tone that doesn't lapse into either sappiness or ostentatiousness. With just six tracks (most of which tend toward the long side), it sounds almost equally influenced by the lighter shades of both West Coast and
British psychedelia
(the occasional Mellotron being the most British ingredient). The best song,
"Questions,"
sounds like something that could have come off the
Rubble
series of late-'60s (largely U.K.)
obscurities, and though it was done too late to qualify for inclusion in that series, it would have been one of its better tracks if it had. ~ Richie Unterberger
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