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Another Shade of Browne
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Another Shade of Browne in Franklin, TN
Current price: $16.99
Barnes and Noble
Another Shade of Browne in Franklin, TN
Current price: $16.99
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Size: OS
Tom Browne
gained some fame for his
R&B-ish
/
funk
recordings cut for
Arista
and
GRP
during 1979-1986. In those days he would often record an occasional straight-ahead number in the middle of his crossover sets; 1981's
Yours Truly
has a fine version of
"Lazy Bird."
In 1986
Browne
was dropped by
and since then he has become a commercial pilot. On the liner notes of his comeback album, he disavows his earlier recordings, saying that at heart he was a
hard bop
player all along. During this 1996 set
, who is most influenced by
Freddie Hubbard
Lee Morgan
, occasionally has inventive ideas that his chops cannot quite play; it can be tough being a part-time player. The music is strictly straight-ahead in the
Blue Note
vein with plenty of solo space for
Javon Jackson
's tenor and pianist
Larry Goldings
and fine support offered by bassist
Ron Carter
and drummer
Idris Muhammad
. With the exception of
"In a Sentimental Mood,"
all of the numbers were either composed by or associated with a trumpeter, and even with an occasional misstep,
's playing in this setting is well worth hearing. ~ Scott Yanow
gained some fame for his
R&B-ish
/
funk
recordings cut for
Arista
and
GRP
during 1979-1986. In those days he would often record an occasional straight-ahead number in the middle of his crossover sets; 1981's
Yours Truly
has a fine version of
"Lazy Bird."
In 1986
Browne
was dropped by
and since then he has become a commercial pilot. On the liner notes of his comeback album, he disavows his earlier recordings, saying that at heart he was a
hard bop
player all along. During this 1996 set
, who is most influenced by
Freddie Hubbard
Lee Morgan
, occasionally has inventive ideas that his chops cannot quite play; it can be tough being a part-time player. The music is strictly straight-ahead in the
Blue Note
vein with plenty of solo space for
Javon Jackson
's tenor and pianist
Larry Goldings
and fine support offered by bassist
Ron Carter
and drummer
Idris Muhammad
. With the exception of
"In a Sentimental Mood,"
all of the numbers were either composed by or associated with a trumpeter, and even with an occasional misstep,
's playing in this setting is well worth hearing. ~ Scott Yanow
Tom Browne
gained some fame for his
R&B-ish
/
funk
recordings cut for
Arista
and
GRP
during 1979-1986. In those days he would often record an occasional straight-ahead number in the middle of his crossover sets; 1981's
Yours Truly
has a fine version of
"Lazy Bird."
In 1986
Browne
was dropped by
and since then he has become a commercial pilot. On the liner notes of his comeback album, he disavows his earlier recordings, saying that at heart he was a
hard bop
player all along. During this 1996 set
, who is most influenced by
Freddie Hubbard
Lee Morgan
, occasionally has inventive ideas that his chops cannot quite play; it can be tough being a part-time player. The music is strictly straight-ahead in the
Blue Note
vein with plenty of solo space for
Javon Jackson
's tenor and pianist
Larry Goldings
and fine support offered by bassist
Ron Carter
and drummer
Idris Muhammad
. With the exception of
"In a Sentimental Mood,"
all of the numbers were either composed by or associated with a trumpeter, and even with an occasional misstep,
's playing in this setting is well worth hearing. ~ Scott Yanow
gained some fame for his
R&B-ish
/
funk
recordings cut for
Arista
and
GRP
during 1979-1986. In those days he would often record an occasional straight-ahead number in the middle of his crossover sets; 1981's
Yours Truly
has a fine version of
"Lazy Bird."
In 1986
Browne
was dropped by
and since then he has become a commercial pilot. On the liner notes of his comeback album, he disavows his earlier recordings, saying that at heart he was a
hard bop
player all along. During this 1996 set
, who is most influenced by
Freddie Hubbard
Lee Morgan
, occasionally has inventive ideas that his chops cannot quite play; it can be tough being a part-time player. The music is strictly straight-ahead in the
Blue Note
vein with plenty of solo space for
Javon Jackson
's tenor and pianist
Larry Goldings
and fine support offered by bassist
Ron Carter
and drummer
Idris Muhammad
. With the exception of
"In a Sentimental Mood,"
all of the numbers were either composed by or associated with a trumpeter, and even with an occasional misstep,
's playing in this setting is well worth hearing. ~ Scott Yanow
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