Guns N' Roses
' debut,
Appetite for Destruction
was a turning point for
hard rock
in the late '80s -- it was a dirty, dangerous, and mean record in a time when
heavy metal
meant nothing but a good time. On the surface,
may appear to celebrate the same things as their peers -- namely, sex, liquor, drugs, and
rock & roll
-- but there is a nasty edge to their songs, since
Axl Rose
doesn't see much fun in the urban sprawl of L.A. and its parade of
thugs, cheap women, booze, and crime. The music is as nasty as the lyrics, wallowing in a bluesy, metallic
borrowed from
Aerosmith
,
AC/DC
, and countless faceless
bands of the early '80s. It's a primal, sleazy sound that adds grit to already grim tales. It also makes
Rose
's misogyny, fear, and anger hard to dismiss as merely an artistic statement; this is music that sounds lived-in. And that's exactly why
is such a powerful record -- not only does
have fears, but he also is vulnerable, particularly on the power
ballad
"Sweet Child O' Mine."
He also has a talent for conveying the fears and horrors of the decaying inner city, whether it's on the charging
"Welcome to the Jungle,"
the heroin ode
"Mr. Brownstone,"
or
"Paradise City,"
which simply wants out. But as good as
's lyrics and screeching vocals are, they wouldn't be nearly as effective without the twin-guitar interplay of
Slash
and
Izzy Stradlin
, who spit out riffs and solos better than any band since
the Rolling Stones
, and that's what makes
the best
metal
record of the late '80s. ~ Stephen Thomas Erlewine