Appearing after the sprawling, unfocused double-album set
Ummagumma
,
Atom Heart Mother
may boast more focus, even a concept, yet that doesn't mean it's more accessible. If anything, this is the most impenetrable album
Pink Floyd
released while on
Harvest
, which also makes it one of the most interesting of the era. Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. Then, on the second side,
Roger Waters
David Gilmour
, and
Rick Wright
have a song apiece, winding up with the group composition
"Alan's Psychedelic Breakfast"
wrapping it up. Of these,
Waters
begins developing the voice that made him the group's lead songwriter during their classic era with
"If,"
while
Wright
has an appealingly mannered, very English psychedelic fantasia on
"Summer 68,"
and
Gilmour
's
"Fat Old Sun"
meanders quietly before ending with a guitar workout that leaves no impression.
"Alan's Psychedelic Breakfast,"
the 12-minute opus that ends the album, does the same thing, floating for several minutes before ending on a drawn-out jam that finally gets the piece moving. So, there are interesting moments scattered throughout the record, and the work that initially seems so impenetrable winds up being
's strongest moment. That it lasts an entire side illustrates that
was getting better with the larger picture instead of the details, since the second side just winds up falling off the tracks, no matter how many good moments there are. This lack of focus means
will largely be for cultists, but its unevenness means there's also a lot to cherish here. ~ Stephen Thomas Erlewine