“Analysis of Capa’s photos is provided on an in—depth level, with some photos being picked apart piece by piece. This level of analysis shows Herrick to be both a skilled historian and a photographic analyst… well written, concise, and does an excellent job of sorting fact from fantasy.” — The Journal of America's Military Past
Although Capa's Falling Soldier image from the Spanish Civil War has been definitively proven to be a staged propaganda fake, no one has applied a similarly critical eye to his later work. This book is the first effort to establish the facts behind the fables surrounding his D—Day adventures and the images he produced during that period. This book examines the fictionalized account Robert Capa penned in his pseudo biography
Slightly Out of Focus
. Written in the hopes of it becoming a movie, Capa included many elements which were exaggerated or simply not true, while omitting many relevant events. As he himself said in the dust jacket for that book: “Writing the truth being obviously so difficult, I have in the interests of it allowed myself to go sometimes slightly beyond and slightly this side of it. All events and persons in the book are accidental and have something to do with the truth.”
This new account carefully details the actual events surrounding Capa's D—Day adventures, using official SHAEF files, still and motion picture images taken by other cameramen who were near or with Capa, and a variety of accounts of witnesses. It examines several aspects of Capa's narrative and reveals the truth behind the fiction: he claimed that he landed in the First Wave with Company E, in reality he landed almost two hours later in Wave 13 with the regimental commander. Analysis reveals how many of his images were presented in a false context and as a result have been misinterpreted for decades. Building on Allan Colleman and his team's proof that the bulk of Capa D—Day photos could not possibly have been ruined in a darkroom accident, this gripping expose details the effects the FORTITUDE deception plans had on censorship, and how the censorship system would have retained the images popularly thought to have been lost.