Sobriety agrees with
Ryan Adams
, giving him the one thing he's always lacked: focus.
Easy Tiger
suggested as much, with its tight, clean lines supported by its rehab-celebrating publicity, but its 2008 sequel,
Cardinology
, reveals that this straight and narrow path was no new detour for
Adams
, but rather the main road. It's the first time in his solo career that
has tread the same trail for two albums in a row, which only confirms the suspicion that now that
is sober, he's getting down to the business of being the troubadour he's always aspired to be, assisted by a band so sympathetic to his style that he's named his album after them. In a certain sense,
does play as a showcase for everything that
Ryan Adams & the Cardinals
can do: it's rooted in
Deadsy
country-rock but frequently strays into '80s alt-rock territory, whether it's the sighing, romantic
"Cobwebs"
or how
"Magick"
echoes like prime
U2
.
The Cardinals
shift moods with ease but
isn't quite a showcase for how the band plays -- it's too intimate and too concentrated on the songs to be a record about the group itself, nor is it about
' range, as earlier records like
Gold
were. This is a very simple, classicist singer/songwriter album where the pleasure is within the songs themselves, how
"Born into a Light"
unfolds with understated grace, how
"Let Us Down Easy"
glides into its call-and-response chorus, how
"Natural Ghost"
has a comforting spectral quality, how
"Evergreen"
skips delicately, how the details in
"Sink Ships"
spill out to its loping beat. These are modest pleasures, but these days
is all about carefully measured craft instead of big statements, a tradeoff that makes his albums more predictable but also more satisfying, as
quietly proves. ~ Stephen Thomas Erlewine