This four-part suite for piano and violin was commissioned by
the Library of Congress
, and recorded in performance there in February of 1999. It was composed by
Taylor
, but the liner notes indicate that what
provided in terms of a score was idiosyncratic -- columns of individual notes along with "symbols and scribbles to suggest attacks, transitions, etc." Violinist
Mat Maneri
took a day to figure out his part based on
's unorthodox score, and the resulting performance is what you might expect: basically a set of four
improvisations
based on a sketch of musical ideas. As such, it works pretty well. In the first movement
Maneri
and
play together as a duo;
's violin is tastefully amplified, which contributes both to a better balance than might have existed otherwise and also an unusual richness of tone. The two players' ideas bounce off one another as often as they feed each other or intertwine, but there is a warmth to their interplay that makes for some very nice moments.
plays solo on the second movement, and his relaxed but emotional rendering of
's musical ideas is very attractive.
takes over on the third movement, and his own solo turn is also impressive. Their final duo passage is more energized than the first, and brings the program to a satisfying close. Fans of
will know what to expect and should enjoy this album; newcomers may find it a bit daunting. ~ Rick Anderson