Originally published in 1972. This important work of Chaucerian scholarship deals with two aspects of the poet and his work - his individual achievement and his place in history - and demonstrates that in both these senses Chaucer is a maker of English poetry.
The author assesses the extent of Chaucer’s debt to the English tradition. She considers the development of his ‘urbane’ manner as a new poetic technique and, with reference to such poems as the
Parlement of Foules
and the
House of Fame
, discusses new themes in the Love Vision. She concludes with a detailed study of Chaucer’s great debate on love
Troilus and Criseyde
.