Representing more than three decades of work largely made in her studios in Chicago and New York City, including pieces from her earliest years,
Collected Works
. Whether recording, literally and metaphorically, the dissection of a melon, a goat, and again and again (with a superb sense of fear) a hare; or magnifying the minuscule; or elevating the mundane and making even death life-affirming, Joan Goldin's work is continually re-seeing, revising, with many a take on a given view, alive in the imaginative capacities of different media: photography, oil, charcoal, graphite. Closing with a consequential contribution: "The eye's mind" by Christopher Ricks.