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Concrete Mama: Prison Profiles from Walla
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Concrete Mama: Prison Profiles from Walla in Franklin, TN
Current price: $39.95

Barnes and Noble
Concrete Mama: Prison Profiles from Walla in Franklin, TN
Current price: $39.95
Loading Inventory...
Size: Paperback
Journalists John McCoy and Ethan Hoffman spent four months inside the walls of the Washington State Penitentiary at Walla Walla in 1978, just as Washington, once a leader in prison reform, abandoned its focus on reform and rehabilitation and returned to cell time and punishment. It was a brutal transition.
McCoy and Hoffman roamed the maximumsecurity compound almost at will, observing and befriending prisoners and guards. The result is a striking depiction of a community in which there was little to do, much to fear, and a culture that both mimicked and scorned the outside world. McCoy’s unadorned prose and Hoffman’s stunning blackandwhite photographs offer as authentic a portrayal of life in the Big House as “outsiders” are ever likely to experience.
Originally published in 1981,
Concrete Mama
revealed a previously unseen stark and complex world of life on the inside, for which it won the Washington State Book Award. Long unavailable yet still relevant, it is revitalized in a second edition with an introduction by scholar Dan Berger that provides historical context for the book's ongoing resonance, along with several previously unpublished photographs.
McCoy and Hoffman roamed the maximumsecurity compound almost at will, observing and befriending prisoners and guards. The result is a striking depiction of a community in which there was little to do, much to fear, and a culture that both mimicked and scorned the outside world. McCoy’s unadorned prose and Hoffman’s stunning blackandwhite photographs offer as authentic a portrayal of life in the Big House as “outsiders” are ever likely to experience.
Originally published in 1981,
Concrete Mama
revealed a previously unseen stark and complex world of life on the inside, for which it won the Washington State Book Award. Long unavailable yet still relevant, it is revitalized in a second edition with an introduction by scholar Dan Berger that provides historical context for the book's ongoing resonance, along with several previously unpublished photographs.
Journalists John McCoy and Ethan Hoffman spent four months inside the walls of the Washington State Penitentiary at Walla Walla in 1978, just as Washington, once a leader in prison reform, abandoned its focus on reform and rehabilitation and returned to cell time and punishment. It was a brutal transition.
McCoy and Hoffman roamed the maximumsecurity compound almost at will, observing and befriending prisoners and guards. The result is a striking depiction of a community in which there was little to do, much to fear, and a culture that both mimicked and scorned the outside world. McCoy’s unadorned prose and Hoffman’s stunning blackandwhite photographs offer as authentic a portrayal of life in the Big House as “outsiders” are ever likely to experience.
Originally published in 1981,
Concrete Mama
revealed a previously unseen stark and complex world of life on the inside, for which it won the Washington State Book Award. Long unavailable yet still relevant, it is revitalized in a second edition with an introduction by scholar Dan Berger that provides historical context for the book's ongoing resonance, along with several previously unpublished photographs.
McCoy and Hoffman roamed the maximumsecurity compound almost at will, observing and befriending prisoners and guards. The result is a striking depiction of a community in which there was little to do, much to fear, and a culture that both mimicked and scorned the outside world. McCoy’s unadorned prose and Hoffman’s stunning blackandwhite photographs offer as authentic a portrayal of life in the Big House as “outsiders” are ever likely to experience.
Originally published in 1981,
Concrete Mama
revealed a previously unseen stark and complex world of life on the inside, for which it won the Washington State Book Award. Long unavailable yet still relevant, it is revitalized in a second edition with an introduction by scholar Dan Berger that provides historical context for the book's ongoing resonance, along with several previously unpublished photographs.

















