When David Bowie died in 2016 some people say the world went to hell in a handcart. It seems that while Bowie was alive his songs and their strange commentaries on modern life had some kind of deep significance that made sense of it all for many people. His music evokes something futuristic and prophetic to his fans. In this book, there is light shed on Bowie's songwriting in the early, most-lauded part of his career, his much-vaunted sense of alienation and his desperate search to make music that was art. Art-rock is an odd sort of genre to be associated with, but it fits David Bowie to a tee. Everything he did was infused with a kind of indescribable oddness, like his two mismatched eyes, the result of a teenage spat with a school friend over a girl. He had a lifelong interest in ideas about life on other worlds, and yet one of his many songs associated with this theme, ‘Life On Mars', is more concerned with the failings of this planet. When he sang ‘Starman' on Top Of The Pops in 1972, his arm draped around the shoulders of his talented lead guitarist and arranger, Mick Ronson, he lit up a million teenage hearts. This is a complete examination of all the songs from Bowie's golden years, which extends from his days as a mod saxophonist through to his astonishing 1980 hit album, Scary Monsters (And Super Creeps). His songs run the gamut from extraordinary to esoteric but were always written from the heart.