Perhaps the most appealing aspect of
Pete Yorn
's 2001 debut,
Musicforthemorningafter
, was its seamless combination of quirky,
Brit-pop
-influenced production and rootsy, tuneful songwriting.
Day I Forgot
,
Yorn
's sophomore effort, scales back the
Smiths
-influenced guitar work, scratchy-old-record sound effects, and delicate acoustic balladry in favor of a more straightforward approach. After the unnecessary 47-second opener,
"Intro,"
buds off to an impressive start with
"Come Back Home"
and
"Crystal Village,"
a pair of the upbeat yet desperate rockers that will remind
's audience why they started listening to his work. Unfortunately, the pace slackens with
"Carlos (Don't Let It Go to Your Head),"
which is dominated by an overblown, rudimentary guitar riff and for the most part unintelligible lyrics instead of
's traditional mark-up, catchy melodies and emotive vocals. The rest of the album is comprised of well-crafted, earnest, midtempo numbers that, while certainly above average as a whole, tend to blend together. Luckily,
throws in a wild card just as
threatens to coast to an agreeable yet lackluster conclusion.
"Burrito"
's lyrics are undeniably goofy, but
pulls them off by pairing them with fierce guitar work and an infectious, urgent chorus. It's the most unabashedly energetic (and fun) song of the set, and stands out in much the same way that
"For Nancy ('Cos It Already Is)"
did on
's previous release. Ultimately,
lacks the emotional poignancy and
experimental
sonic character present on every track of
, which was so intricately detailed that repeated listens were not only rewarding, but mandatory. However, it's hardly a disappointment. Enough quality material is present to keep
near the top of the list of
rock
's up and coming
singer/songwriters
. But while fans were more than happy to spend two years listening to
while waiting for his follow-up, they may have trouble spending that much time with
before his next release. ~ Mark Vanderhoff