As attention grabbing as a flashing neon sign on the Las Vegas strip,
Panic! At the Disco
's fifth studio album, 2016's
Death of a Bachelor
, is a volcano-sized martini glass of emotive, theatrical, genre-bending pop. The first album recorded by the band since the departure of drummer
Spencer Smith
, who officially left in 2015,
is largely the vision of lead vocalist and founding member
Brendon Urie
. Inspired by
Urie
's 2013 marriage, as well as legendary vocalist
Frank Sinatra
's 100th birthday in 2015,
works as a loose concept album celebrating the end of
's party-hearty single life, and his creative maturation from emo-pop poster boy to self-styled rock sophisticate. Produced by
along with
Jake Sinclair
(
Five Seconds of Summer
,
Taylor Swift
P!nk
), the album showcases an even more expansive sound than 2013's
Too Weird to Live, Too Rare to Die!
, rife with touches of body-bumping hip-hop,
Sinatra
-esque lyricism, and anthemic,
Queen
-like exuberance. Indeed,
have never been anything less than grandiose and
is no exception, revealing some of the group's most ambitious and over-the-top productions. With
Sinclair
Weezer
's
Rivers Cuomo
Sam Hollander
Gym Class Heroes
Metro Station
Fitz & the Tantrums
), and other collaborators at his side,
stuffs his songs with rambunctious,
Beyonce
-ready beats, laser-toned synthesizers, muscular guitars, and a peacock's array of double-tracked vocals. Thankfully, he doesn't sacrifice any of
Panic!
's infectious melodicism and pop craftsmanship in the process. Cuts like the gospel-inspired "Hallelujah" and the swaggeringly cheeky "Don't Threaten Me with a Good Time," self-consciously built around
the B-52's
"Rock Lobster" guitar riff, are as catchy as anything
has ever created. Impressively, the densely if deftly packed production does little to detract from the sheer brilliance of
's voice on cuts like the burnished title track and wild-eyed, post-party hangover anthem "Victorious."
even summons his best
-style vocal warmth on the album's closer, the languid, stylishly world-weary ballad "Impossible Year." Ultimately,
marks the final transformation of
from egalitarian emo band to collaborative pop band headed with singular charisma by
the uncontested chairman. ~ Matt Collar