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Fascism Comes to America: A Century of Obsession Politics and Culture
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Fascism Comes to America: A Century of Obsession Politics and Culture in Franklin, TN
Current price: $9.99
Barnes and Noble
Fascism Comes to America: A Century of Obsession Politics and Culture in Franklin, TN
Current price: $9.99
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Size: Audiobook
A deeply relevant look at what fascism means to Americans.
From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States.
Fascism Comes to America
examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainmentand most importantly filmhas been crucial in conveying to citizens what fascism is about.
has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.
From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States.
Fascism Comes to America
examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainmentand most importantly filmhas been crucial in conveying to citizens what fascism is about.
has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.
A deeply relevant look at what fascism means to Americans.
From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States.
Fascism Comes to America
examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainmentand most importantly filmhas been crucial in conveying to citizens what fascism is about.
has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.
From the time Mussolini took power in Italy in 1922, Americans have been obsessed with and brooded over the meaning of fascism and how it might migrate to the United States.
Fascism Comes to America
examines how we have viewed fascism overseas and its implications for our own country. Bruce Kuklick explores the rhetoric of politicians, who have used the language of fascism to smear opponents, and he looks at the discussions of pundits, the analyses of academics, and the displays of fascism in popular culture, including fiction, radio, TV, theater, and film. Kuklick argues that fascism has little informational meaning in the United States, but instead, it is used to denigrate or insult. For example, every political position has been besmirched as fascist. As a result, the term does not describe a phenomenon so much as it denounces what one does not like. Finally, in displaying fascism for most Americans, entertainmentand most importantly filmhas been crucial in conveying to citizens what fascism is about.
has been enhanced by many illustrations that exhibit how fascism was absorbed into the US public consciousness.
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