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Fiction Fiction: Language Arts and the Practice of Spatial Storytelling
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Fiction Fiction: Language Arts and the Practice of Spatial Storytelling in Franklin, TN
Current price: $46.99

Barnes and Noble
Fiction Fiction: Language Arts and the Practice of Spatial Storytelling in Franklin, TN
Current price: $46.99
Loading Inventory...
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Operative fiction: New narrative strategies
With
Fiction Fiction
, visual artist Elena Peytchinska and poet Thomas Ballhausen are continuing their linguistic/artistic exploration of space and language, as well as with the intertwining of drawing and literature. While their previous works
FAUNA
(2018) and
FLORA
(2020) focused on strategies of rapprochement between the arts and the sciences based on linguistic-artistic premises, their latest work interrogates the relationship between the science of fiction and the fiction of science.
presents a relational, practice-oriented model of
operative fiction
, which not only encounters the supposedly unthinkable other but integrates it as an active and necessary part of thought and creative processes.
Literature and/as artistic research, following on from
(2020)
Artistic reflections on contemporary philosophy and its sociocritical contexts
With contributions by Lucia D’Errico, Sabina Holzer, Elisabeth Schäfer, and Ferdinand Schmatz
With
Fiction Fiction
, visual artist Elena Peytchinska and poet Thomas Ballhausen are continuing their linguistic/artistic exploration of space and language, as well as with the intertwining of drawing and literature. While their previous works
FAUNA
(2018) and
FLORA
(2020) focused on strategies of rapprochement between the arts and the sciences based on linguistic-artistic premises, their latest work interrogates the relationship between the science of fiction and the fiction of science.
presents a relational, practice-oriented model of
operative fiction
, which not only encounters the supposedly unthinkable other but integrates it as an active and necessary part of thought and creative processes.
Literature and/as artistic research, following on from
(2020)
Artistic reflections on contemporary philosophy and its sociocritical contexts
With contributions by Lucia D’Errico, Sabina Holzer, Elisabeth Schäfer, and Ferdinand Schmatz
Operative fiction: New narrative strategies
With
Fiction Fiction
, visual artist Elena Peytchinska and poet Thomas Ballhausen are continuing their linguistic/artistic exploration of space and language, as well as with the intertwining of drawing and literature. While their previous works
FAUNA
(2018) and
FLORA
(2020) focused on strategies of rapprochement between the arts and the sciences based on linguistic-artistic premises, their latest work interrogates the relationship between the science of fiction and the fiction of science.
presents a relational, practice-oriented model of
operative fiction
, which not only encounters the supposedly unthinkable other but integrates it as an active and necessary part of thought and creative processes.
Literature and/as artistic research, following on from
(2020)
Artistic reflections on contemporary philosophy and its sociocritical contexts
With contributions by Lucia D’Errico, Sabina Holzer, Elisabeth Schäfer, and Ferdinand Schmatz
With
Fiction Fiction
, visual artist Elena Peytchinska and poet Thomas Ballhausen are continuing their linguistic/artistic exploration of space and language, as well as with the intertwining of drawing and literature. While their previous works
FAUNA
(2018) and
FLORA
(2020) focused on strategies of rapprochement between the arts and the sciences based on linguistic-artistic premises, their latest work interrogates the relationship between the science of fiction and the fiction of science.
presents a relational, practice-oriented model of
operative fiction
, which not only encounters the supposedly unthinkable other but integrates it as an active and necessary part of thought and creative processes.
Literature and/as artistic research, following on from
(2020)
Artistic reflections on contemporary philosophy and its sociocritical contexts
With contributions by Lucia D’Errico, Sabina Holzer, Elisabeth Schäfer, and Ferdinand Schmatz




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