From Object to Performance
identifies, analyses, and critically contemplates the advent of a “performance mentality” and the gradual maturation of a “performative turn” in Israeli art.
Manifested in the transition from object-oriented art to performance-based art, this cultural moment reflected both the exposure and responsiveness of young Israeli artists to experimental currents in North American and Western European art and these artists’ need to respond to acute social and political conditions, questioning Israeli national myths and collectivist ideals.
offers the first comprehensive exploration of the origins of action and performance art in Israel, contributes an important component to unravelling the global enigma of performance art histories, and considers the historiographic challenges encountered when studying the emergence and early years of performance-based practices.
This book will appeal to students and scholars of performance studies, art history, cultural studies, and Israel studies, as well as to curators of contemporary art and performance, and artists. The book should also be of interest to the growing number of theater and art historians who research the beginnings and development of action and performance art.