Sundazed
's
Garage Beat '66
series of mid-'60s
garage rock
takes much the same approach as hundreds, if not thousands, of such compilations that have been issued since the late '70s. Each volume has an assortment of tracks from all over North America, many of them rare, none of them national hits, and most of the acts known only within their region, if at all. The emphasis is on raw, fuzzy outrage, often inspired by (but not as polished as) the more
R&B
-aligned end of
the British Invasion
. It's not as good as the
Nuggets
box set (in part because it's lacking in
pop
hooks as strong as those that made many of the
selections actual hits), and not as good as the best of the many sub-
comps of '60s
garage
. It's better than the average '60s
anthology, though, in part because unlike virtually all other such animals, the tracks are mastered from the original sources, and the liner notes include copious commentary on each selection by
authorities. So if you're the kind of fan likely to collect such stuff, although you may well already have items like
006
"Like What, Me Worry,"
the Fe-Fi-Four Plus 2
"I Wanna Come Back (From the World of LSD),"
and
the Sparkles
'
"Hipsville 29 B.C. (I Need Help)"
elsewhere, you may well not have them in as good fidelity as they boast here. While the songs do tend toward basic bluesy teen rants, there's room for some eclecticism, particularly in the inclusion of
John Hammond
's cover of
Billy Boy Arnold
"I Wish You Would"
from a 1966 single (with
Bill Wyman
on bass and
Robbie Robertson
on guitar, and a different version than the one that appears on his album
So Many Roads
);
Matthew Moore Plus Four
-
folk
rock
cover of
Buffy Sainte-Marie
"Codyne (She's Real)"
; and
Words of Luv
's version of an obscure
P.F. Sloan
folk-rocker
,
"I'd Have to Be Outta My Mind."
The no-holds-barred absurdity of the aforementioned
"I Wanna Come Back (From the World of LSD)"
and the crunching
soul
of
"No Friend of Mine"
stick out as the highlights, however. ~ Richie Unterberger