Geogaddi
, the most anticipated sophomore full-length from an
IDM
act since
Aphex Twin
's
SAW 2
in 1994, certainly looks and feels similar to the 1998
Boards of Canada
debut,
Music Has the Right to Children
. The package design includes artful, bleached-out photos of children playing, while the lengthy track listing balances short vignettes with longer tracks. Fans will be delighted to hear that the music also reveals no great departure from one of the most immediately recognizable sounds in
electronica
; a pair of Scottish cottage producers apparently whiling away the hours creating music,
specialize in evocative, mournful, sample-laden
downtempo
music often sounding as though produced on malfunctioning equipment excavated from the ruins of an early-'70s computer lab.
has a bit less in the way of melodics (the prime factor why
was an immediate classic) and, as a result, sounds slightly less like
trip-hop
for fairy tales and more like the slightly experimental, but definitely produced, electronic music it is. Still,
surely haven't lost their touch for creating spectral machine music:
"1969"
is particularly lovely, with starburst synthesizer lines and disembodied vocoders trilling the chorus (the samples apparently originate from a
David Koresh
follower). For
"Sunshine Recorder,"
a very fitting vocal sample -- lifted from a documentary concerning a species of dandelion found by sub-aquatic robots on the ocean floor (and yes, that is
Leslie Nielsen
narrating) -- prefaces the melancholy synth, vocal cut-ups, and glacier-speed basslines. It's clear
labored long to create
, since only a tremendous amount of work can produce music that flows so naturally and unobtrusively that it never sounds produced. ~ John Bush