The Laughing Hyenas
used to talk a lot about how the blues were a crucial influence on their music, but it was on their final album, 1995's
Hard Times
, that they started to really walk it like they talked it. While the
Stooges
-meet-
Bad Seeds
sound of the band's earlier records was certainly a part of their approach here, the songwriting suggested the group was hearkening back to the same
Muddy Waters
and
Howling Wolf
sides that had influenced
the Rolling Stones
three decades before, and
the Hyenas
' brutal jackhammer assault gave way to a groove that still hit hard, but with a decidedly more graceful effect that wasn't entirely unlike that of Mick, Keith, and company. But if
sounded a bit like
, the influence started at the dark, scary heart of
Exile on Main Street
and moved on into places where few bands would dare to go;
"Hard Time Blues"
"Stay"
are a good bit more musical than anything on
Life of Crime
, but their emotional impact is equally ruthless. Just as significantly,
John Brannon
's jeez-that-must-hurt screams gave way to a soulful bellow which suggested he could have been a better post-modern bluesman than
Jon Spencer
if he'd stuck to it, and
Larissa Strickland
's simple but full-bodied guitar work was never better than on this album. And if bassist
Ron Sakowski
and drummer
Todd Swalla
still aren't up to the genius of
' old rhythm section, two years of woodshedding and road work had this band sounding like a real band again, tight and intuitive. Sadly,
the Laughing Hyenas
wouldn't last long enough to fully explore the potential of their newer, bluesier direction, but few acts from the Midwest punk underground ever reinvented themselves as powerfully and effectively as
did here, and
found this troubled band going out on a high note. ~ Mark Deming