Before
Fred Hersch
's star rose during the 1990s, resulting in several Grammy nominations, he was quietly establishing himself as one of the most lyrical up-and-coming pianists, as he demonstrates on these 1989 studio sessions. Accompanied by bassist
Michael Formanek
and drummer
Jeff Hirschfield
, he surprises the listener right away with a fresh approach to the oft-heard
standard
"The Man I Love,"
gliding over
Hirschfield
's adept brushwork and
Formanek
's soft, spacious bassline.
Wayne Shorter
's
"Infant Eyes"
also benefits from
Hersch
's minimalist approach, shimmering in an arrangement in which the leader and the bassist alternate solos. But
best demonstrates his considerable gifts as a composer.
"Heartsong"
is a captivating work that he has sometimes played in a solo setting, though this trio version proves to be explosive.
"Evanessence"
is a gorgeous tribute to the late
Bill Evans
, with a superb solo by
reminiscent of
Scott LaFaro
's fleet performances with
Evans
. Although
has made released many memorable CDs since this
Sunnyside
release, this fine effort is also well worth investigating. ~ Ken Dryden