After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with
Ritchie Blackmore
's
Rainbow
and two with
Black Sabbath
), it seemed that singer
Ronnie James Dio
could truly do no wrong. So it wasn't all that surprising -- impressive, but not surprising -- when he struck gold yet again when launching his solo vehicle,
Dio
, via 1983's terrific
Holy Diver
album. Much like those two, hallowed
Sabbath
LPs,
Heaven and Hell
and
Mob Rules
,
opened at full metallic throttle with the frenetic
"Stand Up and Shout,"
before settling into a dark, deliberate, and hypnotic groove for the timelessly epic title track -- a worthy successor to glorious triumphs past like
"Stargazer"
and the
Sabs
'
"Sign of the Southern Cross."
But subsequent metal anthems like
"Straight Through the Heart,"
"Invisible,"
and the lycanthrope lullaby
"Shame on the Night"
were no less inspired; and by injecting uncommonly catchy melodies into the heavy rock riffery still dominating more accessible numbers such as
"Gypsy,"
"Caught in the Middle,"
and hit single
"Rainbow in the Dark"
(where the singer himself played rather spotty keyboards),
proved himself perfectly capable of competing with the increasingly commercial hard rock fashions soon to come. Although most fans would agree that
would arguably never again replicate the simply sublime symbiosis of beauty and brawn achieved by the all-time standout
"Don't Talk to Strangers."
And, to be fair, aside from
Ronnie
's unquestionably stellar songwriting,
's stunning quality and consistency owed much to his carefully chosen bandmates, including powerhouse drummer (and fellow
survivor)
Vinny Appice
, veteran bassist
Jimmy Bain
, and a phenomenal find in young Irish guitarist
Vivian Campbell
, whose tastefully pyrotechnic leads helped make this the definitive
lineup. So, too, is
still the undisputed highlight of
's career, and, indeed, one of the finest pure heavy metal albums of the 1980s. ~ Eduardo Rivadavia