The Fauns
made their mark as one of the finer acts of the shoegaze revival of the late 2000s and early 2010s -- and when years of silence followed the release of 2013's
Lights
, that's how they seemed destined to be remembered. When they returned 11 years later, it wasn't surprising that their sound had changed;
already hinted that they needed to go beyond merely putting their own stamp on shoegaze. On
How Lost
,
the Fauns
don't abandon the sound of their past so much as they fuse it with other styles into finely shaded musical hybrids. Though the title track shows they still know how to make blissful songs that would've fit in with shoegaze's first wave, the band finds more inspiration in the other genre that took the U.K. by storm in the early '90s: dance music. Fortunately,
take a more sophisticated approach than just grafting beats and synths onto their songs. Instead, they use these elements as an expressive complement to
Alison Garner
's urgent whispers and the washes of sound that surround them. The driving rhythms and arpeggios of "Mixtape Days" make
Garner
's layered vocals even more seductive and elusive as she beckons listeners to get lost in the music. She loses herself just as completely in someone else on "Shake Your Hair," a piece of hazy, throbbing electro-pop that
Ladytron
or
Chromatics
would be thrilled to call their own. The group gets a little more intimate with equally winning results on "Afterburner"'s aching guitar pop and a twinkling cover of
Freur
's 1983 cult classic "Doot Doot" that celebrates the mirage-like quality of the original and
' own music. Several of
's other standouts continue
' adventurous spirit, which has only grown with the addition of guitarist/film composer
Will Slater
to the band's ranks. Sometimes, the album's cinematic feel is subtle, like the looming drones that cast an ominous shadow over "Dark Discotheque"'s shimmying beat. Sometimes, it's more ambitious, as on "Spacewreck," a "Space Oddity"-like tale of death among the stars set to swooning post-rock, or "Modified," a darkly alluring pairing of skittering beats and pitch-shifted samples reminiscent of
Jamie xx
and crisply enunciated buzzwords ("Sensual/Self-aware/Evolving/Dangerous") that evokes a dystopian future -- or present -- as eloquently as Black Mirror or Ex Machina.
is just as transporting and otherworldly as shoegaze at its finest; that it's easily
' best work to date makes their comeback all the more welcome. ~ Heather Phares