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I see in the sea nothing except the sea. I don't see a shore. I don't see a dove.
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I see in the sea nothing except the sea. I don't see a shore. I don't see a dove. in Franklin, TN
Current price: $18.99
Barnes and Noble
I see in the sea nothing except the sea. I don't see a shore. I don't see a dove. in Franklin, TN
Current price: $18.99
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Size: OS
Literary Nonfiction. Middle Eastern Studies. Women's Studies. Art. Film. Through dialogue and reflection, an exhibition which took place at the Camera Club of New York in April 2014,
I see in the sea nothing except the sea. I don't see a shore. I don't see a dove.
, is reconsidered. The document tells us nothing. Let's begin there. Now, what is the site? Is it here or is it there? How do we tell this story? A conscious choice is made to tell it otherwise—to mull over media, memorial, technology, detention. That which is unseen begins to leak, and slowly we begin to see: blue, white, foam, waves. The tide is rising. Can we separate art and the way we choose to live? How do we rearrange our desires?
Designed by Zeynab Izadyar. With essays by Allen Frame, Malene Dam, Nicole Salazar, Amin Husain, and Nitasha Dhillon (MTL), and additional contributions from Diego Sierralta, Felisia Tandiono, Gabriela Salazar, Bridget de Gersigny, Zee De Gersigny, Marina Berio, Carlos Motta, Samira Yamin, Adam Golfer, and Ashley Hunt.
I see in the sea nothing except the sea. I don't see a shore. I don't see a dove.
, is reconsidered. The document tells us nothing. Let's begin there. Now, what is the site? Is it here or is it there? How do we tell this story? A conscious choice is made to tell it otherwise—to mull over media, memorial, technology, detention. That which is unseen begins to leak, and slowly we begin to see: blue, white, foam, waves. The tide is rising. Can we separate art and the way we choose to live? How do we rearrange our desires?
Designed by Zeynab Izadyar. With essays by Allen Frame, Malene Dam, Nicole Salazar, Amin Husain, and Nitasha Dhillon (MTL), and additional contributions from Diego Sierralta, Felisia Tandiono, Gabriela Salazar, Bridget de Gersigny, Zee De Gersigny, Marina Berio, Carlos Motta, Samira Yamin, Adam Golfer, and Ashley Hunt.
Literary Nonfiction. Middle Eastern Studies. Women's Studies. Art. Film. Through dialogue and reflection, an exhibition which took place at the Camera Club of New York in April 2014,
I see in the sea nothing except the sea. I don't see a shore. I don't see a dove.
, is reconsidered. The document tells us nothing. Let's begin there. Now, what is the site? Is it here or is it there? How do we tell this story? A conscious choice is made to tell it otherwise—to mull over media, memorial, technology, detention. That which is unseen begins to leak, and slowly we begin to see: blue, white, foam, waves. The tide is rising. Can we separate art and the way we choose to live? How do we rearrange our desires?
Designed by Zeynab Izadyar. With essays by Allen Frame, Malene Dam, Nicole Salazar, Amin Husain, and Nitasha Dhillon (MTL), and additional contributions from Diego Sierralta, Felisia Tandiono, Gabriela Salazar, Bridget de Gersigny, Zee De Gersigny, Marina Berio, Carlos Motta, Samira Yamin, Adam Golfer, and Ashley Hunt.
I see in the sea nothing except the sea. I don't see a shore. I don't see a dove.
, is reconsidered. The document tells us nothing. Let's begin there. Now, what is the site? Is it here or is it there? How do we tell this story? A conscious choice is made to tell it otherwise—to mull over media, memorial, technology, detention. That which is unseen begins to leak, and slowly we begin to see: blue, white, foam, waves. The tide is rising. Can we separate art and the way we choose to live? How do we rearrange our desires?
Designed by Zeynab Izadyar. With essays by Allen Frame, Malene Dam, Nicole Salazar, Amin Husain, and Nitasha Dhillon (MTL), and additional contributions from Diego Sierralta, Felisia Tandiono, Gabriela Salazar, Bridget de Gersigny, Zee De Gersigny, Marina Berio, Carlos Motta, Samira Yamin, Adam Golfer, and Ashley Hunt.
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