Home
Icky Blossoms
Barnes and Noble
Loading Inventory...
Icky Blossoms in Franklin, TN
Current price: $22.99
Barnes and Noble
Icky Blossoms in Franklin, TN
Current price: $22.99
Loading Inventory...
Size: OS
Omaha, Nebraska indie label
Saddle Creek
built its reputation in the early '90s on the melancholy songcraft of
Bright Eyes
and angular post-rock of
Cursive
, soon expanding its sound with the addition of the new wave-inspired, sexually charged
the Faint
(and spinoff project
Broken Spindles
) to its roster, a theme revisited by
Icky Blossoms
. On the trio's self-titled debut produced by
Dave Sitek
(
TV on the Radio
), singer/synth player
Sarah Boling
and singer/multi-instrumentalists
Derek Pressnall
Flowers Forever
and labelmates
Tilly and the Wall
) and
Nik Fackler
share their take on electro-influenced music, delivering a combination of brooding synthesizers, danceable drums, and self-assured melodies to shape their dance-pop sound. While
zoned in on dark rhythms and decadent lyrics,
take a looser approach, flowing from stripped-down, arpeggiated synth rock (opener "Heat Lightning") to hypnotic, jagged beats ("Burn Rubber") to slow-burning indie rock sprinkled with icy electronic accents ("Stark Weather," loosely inspired by the Nebraskan teenager serial killer Charles Starkweather). The band conjures a sensuous dance party on "Sex to the Devil," whose ominous synth lines combine with the chorus ("Church to god/God to the universe/The universe to art/Art to drugs/Drugs to sex/Sex to the devil") for mantra-like results. Meanwhile, "Babes," with its house-infused beats and lyrics that laud leather-clad ladies and cool club chicks, has the ingredients to accompany a runway show. But the band may have saved the best for last with closer "Perfect Vision," a murky snapshot of friends spending a boring, cloudy afternoon together that dreamily oozes to the six-and-a-half-minute mark with a soundtrack of droning guitar, shadowy co-ed vocals, and distorted trumpets.
succeed in showing many different sides of dance-infused indie rock with their debut, but there's an unsettled feeling that suggests the trio members weren't entirely sure where they wanted to go with the record. With a more clearly defined musical direction, like
before them, they'd sound more fully committed. ~ Chrysta Cherrie
Saddle Creek
built its reputation in the early '90s on the melancholy songcraft of
Bright Eyes
and angular post-rock of
Cursive
, soon expanding its sound with the addition of the new wave-inspired, sexually charged
the Faint
(and spinoff project
Broken Spindles
) to its roster, a theme revisited by
Icky Blossoms
. On the trio's self-titled debut produced by
Dave Sitek
(
TV on the Radio
), singer/synth player
Sarah Boling
and singer/multi-instrumentalists
Derek Pressnall
Flowers Forever
and labelmates
Tilly and the Wall
) and
Nik Fackler
share their take on electro-influenced music, delivering a combination of brooding synthesizers, danceable drums, and self-assured melodies to shape their dance-pop sound. While
zoned in on dark rhythms and decadent lyrics,
take a looser approach, flowing from stripped-down, arpeggiated synth rock (opener "Heat Lightning") to hypnotic, jagged beats ("Burn Rubber") to slow-burning indie rock sprinkled with icy electronic accents ("Stark Weather," loosely inspired by the Nebraskan teenager serial killer Charles Starkweather). The band conjures a sensuous dance party on "Sex to the Devil," whose ominous synth lines combine with the chorus ("Church to god/God to the universe/The universe to art/Art to drugs/Drugs to sex/Sex to the devil") for mantra-like results. Meanwhile, "Babes," with its house-infused beats and lyrics that laud leather-clad ladies and cool club chicks, has the ingredients to accompany a runway show. But the band may have saved the best for last with closer "Perfect Vision," a murky snapshot of friends spending a boring, cloudy afternoon together that dreamily oozes to the six-and-a-half-minute mark with a soundtrack of droning guitar, shadowy co-ed vocals, and distorted trumpets.
succeed in showing many different sides of dance-infused indie rock with their debut, but there's an unsettled feeling that suggests the trio members weren't entirely sure where they wanted to go with the record. With a more clearly defined musical direction, like
before them, they'd sound more fully committed. ~ Chrysta Cherrie
Omaha, Nebraska indie label
Saddle Creek
built its reputation in the early '90s on the melancholy songcraft of
Bright Eyes
and angular post-rock of
Cursive
, soon expanding its sound with the addition of the new wave-inspired, sexually charged
the Faint
(and spinoff project
Broken Spindles
) to its roster, a theme revisited by
Icky Blossoms
. On the trio's self-titled debut produced by
Dave Sitek
(
TV on the Radio
), singer/synth player
Sarah Boling
and singer/multi-instrumentalists
Derek Pressnall
Flowers Forever
and labelmates
Tilly and the Wall
) and
Nik Fackler
share their take on electro-influenced music, delivering a combination of brooding synthesizers, danceable drums, and self-assured melodies to shape their dance-pop sound. While
zoned in on dark rhythms and decadent lyrics,
take a looser approach, flowing from stripped-down, arpeggiated synth rock (opener "Heat Lightning") to hypnotic, jagged beats ("Burn Rubber") to slow-burning indie rock sprinkled with icy electronic accents ("Stark Weather," loosely inspired by the Nebraskan teenager serial killer Charles Starkweather). The band conjures a sensuous dance party on "Sex to the Devil," whose ominous synth lines combine with the chorus ("Church to god/God to the universe/The universe to art/Art to drugs/Drugs to sex/Sex to the devil") for mantra-like results. Meanwhile, "Babes," with its house-infused beats and lyrics that laud leather-clad ladies and cool club chicks, has the ingredients to accompany a runway show. But the band may have saved the best for last with closer "Perfect Vision," a murky snapshot of friends spending a boring, cloudy afternoon together that dreamily oozes to the six-and-a-half-minute mark with a soundtrack of droning guitar, shadowy co-ed vocals, and distorted trumpets.
succeed in showing many different sides of dance-infused indie rock with their debut, but there's an unsettled feeling that suggests the trio members weren't entirely sure where they wanted to go with the record. With a more clearly defined musical direction, like
before them, they'd sound more fully committed. ~ Chrysta Cherrie
Saddle Creek
built its reputation in the early '90s on the melancholy songcraft of
Bright Eyes
and angular post-rock of
Cursive
, soon expanding its sound with the addition of the new wave-inspired, sexually charged
the Faint
(and spinoff project
Broken Spindles
) to its roster, a theme revisited by
Icky Blossoms
. On the trio's self-titled debut produced by
Dave Sitek
(
TV on the Radio
), singer/synth player
Sarah Boling
and singer/multi-instrumentalists
Derek Pressnall
Flowers Forever
and labelmates
Tilly and the Wall
) and
Nik Fackler
share their take on electro-influenced music, delivering a combination of brooding synthesizers, danceable drums, and self-assured melodies to shape their dance-pop sound. While
zoned in on dark rhythms and decadent lyrics,
take a looser approach, flowing from stripped-down, arpeggiated synth rock (opener "Heat Lightning") to hypnotic, jagged beats ("Burn Rubber") to slow-burning indie rock sprinkled with icy electronic accents ("Stark Weather," loosely inspired by the Nebraskan teenager serial killer Charles Starkweather). The band conjures a sensuous dance party on "Sex to the Devil," whose ominous synth lines combine with the chorus ("Church to god/God to the universe/The universe to art/Art to drugs/Drugs to sex/Sex to the devil") for mantra-like results. Meanwhile, "Babes," with its house-infused beats and lyrics that laud leather-clad ladies and cool club chicks, has the ingredients to accompany a runway show. But the band may have saved the best for last with closer "Perfect Vision," a murky snapshot of friends spending a boring, cloudy afternoon together that dreamily oozes to the six-and-a-half-minute mark with a soundtrack of droning guitar, shadowy co-ed vocals, and distorted trumpets.
succeed in showing many different sides of dance-infused indie rock with their debut, but there's an unsettled feeling that suggests the trio members weren't entirely sure where they wanted to go with the record. With a more clearly defined musical direction, like
before them, they'd sound more fully committed. ~ Chrysta Cherrie
You May Also Like
More About Barnes and Noble at CoolSprings Galleria
Barnes & Noble is the world’s largest retail bookseller and a leading retailer of content, digital media and educational products. Our Nook Digital business offers a lineup of NOOK® tablets and e-Readers and an expansive collection of digital reading content through the NOOK Store®. Barnes & Noble’s mission is to operate the best omni-channel specialty retail business in America, helping both our customers and booksellers reach their aspirations, while being a credit to the communities we serve.
1800 Galleria Blvd #1310, Franklin, TN 37067, United States
