Fuzz
,
Ty Segall
's suitably named project focused on the noisy glories of first-stage heavy rock and grubby late-period psychedelia, haven't advanced much from a songwriting standpoint from their self-titled debut album in 2013, but their second studio offering, efficiently titled
II
, shows the trio's gift for the monstrous jam hasn't failed them in the least in the two years since the first set emerged. While
's attack doesn't fall entirely outside the boundaries of
Segall
's trademark sound, as on the first LP, the band's big name primarily plays the drums, and it's guitarist
Charles Moothart
and bassist
Chad Ubovich
who truly erect a wall of cranked-to-ten guitar fury with this material. The onslaught of
Moothart
's guitar is powerful and fluid enough that it's developed more of a personality of its own than on
's earliest recordings (despite the obvious influence of
Tony Iommi
and
Leigh Stephens
on his style), and the brontosaurus stomp of
Ubovich
's impenetrably thick basslines keeps these tunes firmly rooted at all times.
's drumming percolates through the mix and actually makes the music livelier, not just establishing the backbeat but punctuating the performances with an energy that's strong enough to be felt through the nonstop sonic pummeling of his bandmates.
do try to fancy things up with string charts on the relatively graceful "Silent Sits the Dust Bowl," and the 13-minute title track (yes, a song called "II") shows this band can jam at length without losing the plot or the intensity. The production on
is cleaner than on
's first studio album without ironing out the nooks and crannies of the band's sound (the report of
's amps is just as fierce and buzzy as ever), and listeners who resonate to
Iommic
frequencies will get a righteous shake from this music. ~ Mark Deming