Home
Image Brokers: Visualizing World News in the Age of Digital Circulation / Edition 1
Barnes and Noble
Loading Inventory...
Image Brokers: Visualizing World News in the Age of Digital Circulation / Edition 1 in Franklin, TN
Current price: $29.95
Barnes and Noble
Image Brokers: Visualizing World News in the Age of Digital Circulation / Edition 1 in Franklin, TN
Current price: $29.95
Loading Inventory...
Size: OS
How does a photograph become a news image? An ethnography of the labor behind international news images,
Image Brokers
ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world.
Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power,
offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals,
investigates how news images are produced and how worldviews are reproduced in the process.
Image Brokers
ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world.
Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power,
offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals,
investigates how news images are produced and how worldviews are reproduced in the process.
How does a photograph become a news image? An ethnography of the labor behind international news images,
Image Brokers
ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world.
Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power,
offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals,
investigates how news images are produced and how worldviews are reproduced in the process.
Image Brokers
ruptures the self-evidence of the journalistic photograph by revealing the many factors determining how news audiences are shown people, events, and the world. News images, Zeynep Gürsel argues, function as formative fictions – fictional insofar as these images are constructed and culturally mediated, and formative because their public presence and circulation have real consequences in the world.
Set against the backdrop of the War on Terror and based on fieldwork conducted at photojournalism’s centers of power,
offers an intimate look at an industry in crisis. At the turn of the 21st century, image brokers—the people who manage the distribution and restriction of news images—found the core technologies of their craft, the status of images, and their own professional standing all changing rapidly with the digitalization of the infrastructures of representation. From corporate sales meetings to wire service desks, newsrooms to photography workshops and festivals,
investigates how news images are produced and how worldviews are reproduced in the process.
You May Also Like
More About Barnes and Noble at CoolSprings Galleria
Barnes & Noble is the world’s largest retail bookseller and a leading retailer of content, digital media and educational products. Our Nook Digital business offers a lineup of NOOK® tablets and e-Readers and an expansive collection of digital reading content through the NOOK Store®. Barnes & Noble’s mission is to operate the best omni-channel specialty retail business in America, helping both our customers and booksellers reach their aspirations, while being a credit to the communities we serve.
1800 Galleria Blvd #1310, Franklin, TN 37067, United States
