This early recording by
Joe Henderson
is not only one of the finest of all of his recordings, but is also a high point for 1960s
jazz
. At this point in his career,
Henderson
was a full-time member of
Horace Silver
's combo and did not yet have a steady band in his hire. He is joined on
Inner Urge
by veterans of other combos:
McCoy Tyner
and
Elvin Jones
from
John Coltrane
's unit and
Sonny Rollins
sideman
Bob Cranshaw
. The presence of these luminaries aside,
is home to two of
's best (and best-loved) compositions:
"Inner Urge"
"Isotope."
The leader's solo on the title track is a marvelous thing, full of melody as well as anarchic bursts of sound, which is in perfect keeping with the spirit of the song's probing, searching theme. The other musicians support
nicely as well as turning in some strong solos of their own.
Tyner
especially sounds fantastic on this record. Although not the equal of the leader in terms of the quality of his lines or the overall sense of composition of his solos, his performance is at least the rival of
's in terms of raw kinetic power. The other great song on
"Inner Urge,"
the
Monk-ish
"Isotope,"
is another ideal showcase for
's total command of his instrument. The remaining tracks on
are also fantastic, especially the wailing cry of
"El Barrio"
and the
-altered head to
"Night and Day,"
but the first side, even if taken alone, is by itself enough to guarantee this album as perhaps the best
recorded in his long and illustrious career, and stands easily alongside the best records of the era. ~ Daniel Gioffre