" Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic – Augusto Gentili, Tintoretto in contesto tra politica e religione – Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto’s Crucifixion for SS. Cosma e Damiano – Tom Nichols, False Gods: Tintoretto’s Mythologies as Anti-poesie – Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de’ Pitati – Roland Krischel, Jacopo Tintoretto and Giulio Romano – Miguel Falomir, Tintoretto y Tiziano – David Rosand, Tintoretto and Veronese: Style, Personality, Class – José Álvarez Lopera, Sobre Tintoretto y el Greco – Stefania Mason, Domenico Tintoretto e l’eredità della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements – Ana González Mozo, El concepto de dibujo en Jacopo Tintoretto: análisis de los recursos técnicos utilizados en algunos cuadros del Museo Nacional del Prado – Robert Wald, Tintoretto’s Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra età. Tintoretto’s Preposterous Modernity – Almuneda Pérez de Tuleda, Coleccionismo de Tintoretto en España en torno a 1600 – Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento – Leticia de Frutos, Tintoretto en las colecciones del marqués del Carpio y del Almirante de Castilla "