Dispels the myth that Jean Luc Godard's work ceased to be concerned with politics after the 1970s Investigates Godard's political filmmaking in the context of Thirdworldism and anti-imperialism Highlights Godard’s on-going exploration on the stakes of aesthetic-political representation Engages with Godard's controversial juxtaposition between the Shoah and the Nakba
Dispels the myth that Jean Luc Godard's work ceased to be concerned with politics after the 1970s Investigates Godard's political filmmaking in the context of Thirdworldism and anti-imperialism Highlights Godard’s on-going exploration on the stakes of aesthetic-political representation Engages with Godard's controversial juxtaposition between the Shoah and the Nakba
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