Kala
and
Arular
are similar in that they are both wildly vigorous and wholly enjoyable albums, generous with blunt-force beats, flurries of percussion, riotous vocals (with largely inconsequential lyrics), and fearless stylistic syntheses that seem to view music from half of the planet's countries as potential source material. But
nearly makes
seem tame in comparison, magnifying most of its predecessor's qualities as it remains bracingly adventurous. While it certainly sounds like a second
M.I.A.
album, nothing about it is stagnant. Made in piecemeal fashion while located in several countries,
involves a few co-producers: U.K. "
dirty house
" producer
Switch
is the primary collaborator, while Baltimore club don
Blaqstarr
,
Diplo
, and
Timbaland
assist
on one or a couple tracks each. Further variety is added vocally, not only through
's numerous modes, but also through feature spots from Nigerian MC
Afrikan Boy
and a crew of young Aborigine rappers. Roughly half the album -- including the opening three-track sequence, which incorporates
Jonathan Richman
's
"Roadrunner,"
samples from two Tamil-language film soundtracks, squawking chickens, (what sounds like) yelping children, and clustered rhythmic devices that boom, stab, clap, rattle, twitter, and sometimes even prance -- is more intense than anything on
. The tracks are so full of chaos and jagged noise that it is disarming to reach the relatively relaxed material, especially the two tracks that resemble actual songs.
"Jimmy"
is a rather faithful cover, willfully chintzy strings and all, of a flirtatiously lovelorn
neo-disco
number from the '80s Bollywood film
Disco Dancer
.
"Paper Planes"
has a sing-songy float to it, aided by
the Clash
"Straight to Hell,"
though it also appropriates
Wreckx-N-Effect
"Rump Shaker"
while replacing "zoom-a-zoom-zoom-zoom" and "boom-boom" with sounds from shotguns and cash registers. Like the remainder of the album's best moments, it recalls the late
Lizzy Mercier Descloux
, another artist who made thrilling music by mixing cultures with respectful irreverence. Perhaps some of
's detractors knew
was capable of this all along. ~ Andy Kellman