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Keep Your Soul Together/Polar AC/Skagly

Keep Your Soul Together/Polar AC/Skagly in Franklin, TN

Current price: $16.99
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Keep Your Soul Together/Polar AC/Skagly

Barnes and Noble

Keep Your Soul Together/Polar AC/Skagly in Franklin, TN

Current price: $16.99
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Size: OS

BGO
's 2014 release combines three albums
Freddie Hubbard
released during the '70s: 1973's
Keep Your Soul Together
, 1975's
Polar AC
, and 1979's
Skagly
. The disparate release dates illustrate how this three-fer covers a lot of ground, but the records essentially represent the final acts of
Hubbard
's time both at
CTI
and at
Columbia
.
came out in 1974 and was his last full-fledged studio record for the label, with
functioning as a clearinghouse for his time there (two previously released cuts, plus three unheard ones), while
was his last for
. There are similarities running throughout these three records -- a slight emphasis on groove, a production so textured it's almost painterly, more room for improvisation than conventional wisdom suggest. There's no denying these are smooth jazz records running through the doors fusion opened but concentrating on rhythms and aural colors, which is enough to have all three albums feel of a piece, but what surprises is that underneath those glossy surfaces there are some real improvisations.
and
veer toward hard bop solos while
gets both funkier and flirts with the wide-open vistas of fusion, with the dense grooves suddenly getting spacy. Despite these avant flourishes, all three records are decidedly mainstream, in a '70s way: they're slick in a way that can fade into the background, but listen closer and it's apparent that
retained his deep jazz roots even at his smoothest moments. ~ Stephen Thomas Erlewine
BGO
's 2014 release combines three albums
Freddie Hubbard
released during the '70s: 1973's
Keep Your Soul Together
, 1975's
Polar AC
, and 1979's
Skagly
. The disparate release dates illustrate how this three-fer covers a lot of ground, but the records essentially represent the final acts of
Hubbard
's time both at
CTI
and at
Columbia
.
came out in 1974 and was his last full-fledged studio record for the label, with
functioning as a clearinghouse for his time there (two previously released cuts, plus three unheard ones), while
was his last for
. There are similarities running throughout these three records -- a slight emphasis on groove, a production so textured it's almost painterly, more room for improvisation than conventional wisdom suggest. There's no denying these are smooth jazz records running through the doors fusion opened but concentrating on rhythms and aural colors, which is enough to have all three albums feel of a piece, but what surprises is that underneath those glossy surfaces there are some real improvisations.
and
veer toward hard bop solos while
gets both funkier and flirts with the wide-open vistas of fusion, with the dense grooves suddenly getting spacy. Despite these avant flourishes, all three records are decidedly mainstream, in a '70s way: they're slick in a way that can fade into the background, but listen closer and it's apparent that
retained his deep jazz roots even at his smoothest moments. ~ Stephen Thomas Erlewine

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