Anton Lignell is an artist, first, last and always. He has been preoccupied with the dichotomy of straight and curved lines his entire working life. Breaking tradition with five generations of measurers and draftsmen of straight lines (architects, surveyors, sailing ship navigators) he became an artist, painting the curves of the material world. In order to support his art habit he served a five-year harpsichord making apprenticeship in Boson and then settled in Berkeley, California, becoming the first classically trained harpsichord maker on the West Coast. Tiring of the straight line mind-set of harpsichord making, he taught himself the fine art of carving the delicious curves of rocking horses, teaching what he learned in universities and crafts schools across the country. Then, after a powerful dream stating that the geometry of the Great Pyramid was a language that said something important about the nature of reality, he dove headlong into the straight and curved lines of Sacred Geometry, eventually emerging with the key to that language. Rather than forcing readers through the mountain of irrational numbers that the Great Pyramid actually is, he wrote a fable presenting the unusual concept as a primer to a second volume of just facts and numbers. Using family and ancestors (artists, writers, architects, sea captains, a Viking explorer from 890 A.D. and the founder of the principle of separation of church and state) as characters, an unusual tale evolved to express the Great Pyramid's extraordinary concept of intentional Creation.