In the decades since its original release, more than one writer has declared
Fairport Convention
's
Liege & Lief
the definitive
British folk-rock
album, a distinction it holds at least in part because it grants equal importance to all three parts of that formula. While
Fairport
had begun dipping their toes into British
traditional folk
with their stellar version of
"A Sailor's Life"
on
Unhalfbricking
,
found them diving head first into the possibilities of England's musical past, with
Ashley Hutchings
digging through the archives at the Cecil Sharp House in search of musical treasure, and the musicians (in particular vocalist
Sandy Denny
) eagerly embracing the dark mysteries of this music. (Only two of the album's eight songs were group originals, though
"Crazy Man Michael"
and
"Come All Ye"
hardly stand out from their antique counterparts.)
was also recorded after a tour bus crash claimed the lives of original
drummer
Martin Lamble
Richard Thompson
's girlfriend; as the members of the group worked to shake off the tragedy (and break in new drummer
Dave Mattacks
and full-time fiddler
Dave Swarbrick
), they became a stronger and more adventurous unit, less interested in the neo-
Jefferson Airplane
direction of their earlier work and firmly committed to fusing time-worn
folk
with electric instruments while honoring both. And while
was the most purely
-oriented
album to date, it also rocked hard in a thoroughly original and uncompromising way; the
"Lark in the Morning"
medley swings unrelentingly, the group's crashing dynamics wring every last ounce of drama from
"Tam Lin"
"Matty Groves,"
Thompson
Swarbrick
's soloing is dazzling throughout.
introduced a large new audience to the beauty of
British folk
, but
's interpretations spoke of the present as much as the past, and the result was timeless music in the best sense of the term. [The CD was also released with two previously unreleased takes of
"Sir Patrick Spens"
"The Quiet Joys of Brotherhood."
] ~ Mark Deming