Fujiya & Miyagi
's third studio album, depending on how one counts (their 2006 LP was technically a compilation of songs from existing EPs),
Lightbulbs
shows the Brighton Brits attempting to prove themselves as much more than a pseudo-Japanese novelty act. That's not to say that
Dave Best
and the gang have toned back their deadpan sense of humor. Nonsensical non-sequiturs, scatting onomatopoeias, and tongue twisters still dominate the lyrics, and the wry
James Murphy
-esque speakeasy delivery is still evident, but now the pep has been downplayed slightly to make for more mellowed grooves. The production has thickened a bit, too, courtesy of a higher concentration of ambient textures. Airy synths and breathy vocals render the songs too dreamy to dance to, and the funky basslines and mechanical beats render them too dancey to dream to. That's the sweet spot of
F&M
. Call the songs lackadaisical hypno-grooves, if you will, or use the band's label of "whisper-electro" to define the sound, but essentially it's calming, polite, electro-pop that invokes '60s lounge, '70s Krautrock, and '80s synth pop while staying relevant to more modern sounds popularized by
Hot Chip
,
Ladytron
, and
Air
. "Knickerbocker" is an infectious jam with a driving rhythm that pays tribute to
Kraftwerk
, a hook that subtly rips off the
Beach Boys
' "Kokomo" ("vanilla, strawberry, knickerbocker glory" mimics "Aruba, Jamaica, ooh I wanna take you") and verses that give props to
Hans Christian Anderson
Lena Zavaroni
Dietrich Knickerbocker
. If that's not fun, what is? ~ Jason Lymangrover