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Love My Stuff
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Love My Stuff in Franklin, TN
Current price: $17.99

Barnes and Noble
Love My Stuff in Franklin, TN
Current price: $17.99
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Size: OS
Paul Geremia
emerged at the tail end of the '60s folk/blues boom, cutting his first album in 1968. Ever since, he has single-mindedly pursued his blues muse, carrying the torch of traditional acoustic blues all the way into the 21st century. Though
Geremia
never previously recorded many of the tunes on his live album
Love My Stuff
, it nevertheless offers a good introduction to the Rhode Island-born bluesman's approach. Like
Dave Van Ronk
and
Jorma Kaukonen
,
remains faithful to the old-school Delta and country blues template, and offers a vital, visceral interpretation of that sound, but never resorts to mimicry, consistently stamping his own identity on every song. As is so often the case with great bluesmen,
is probably best encountered in concert, so these live recordings -- mostly from the 2000s, with a couple of '80s cuts thrown in -- capture him at his best. In addition to tackling tunes by
Mississippi John Hurt
Leadbelly
Sleepy John Estes
Charley Patton
, etc.,
offers up some early jazz and jug band songs of a similar vintage, making it all stream seamlessly together. Perhaps even more impressive is the fact that the small handful of original tunes on
sound like they could easily have come from the catalogs of one of the aforementioned blues heroes. Bridging the gap between trad blues and new material is notoriously hazardous for postwar bluesmen, but
makes that move (like most others) with ease. ~ J. Allen
emerged at the tail end of the '60s folk/blues boom, cutting his first album in 1968. Ever since, he has single-mindedly pursued his blues muse, carrying the torch of traditional acoustic blues all the way into the 21st century. Though
Geremia
never previously recorded many of the tunes on his live album
Love My Stuff
, it nevertheless offers a good introduction to the Rhode Island-born bluesman's approach. Like
Dave Van Ronk
and
Jorma Kaukonen
,
remains faithful to the old-school Delta and country blues template, and offers a vital, visceral interpretation of that sound, but never resorts to mimicry, consistently stamping his own identity on every song. As is so often the case with great bluesmen,
is probably best encountered in concert, so these live recordings -- mostly from the 2000s, with a couple of '80s cuts thrown in -- capture him at his best. In addition to tackling tunes by
Mississippi John Hurt
Leadbelly
Sleepy John Estes
Charley Patton
, etc.,
offers up some early jazz and jug band songs of a similar vintage, making it all stream seamlessly together. Perhaps even more impressive is the fact that the small handful of original tunes on
sound like they could easily have come from the catalogs of one of the aforementioned blues heroes. Bridging the gap between trad blues and new material is notoriously hazardous for postwar bluesmen, but
makes that move (like most others) with ease. ~ J. Allen
Paul Geremia
emerged at the tail end of the '60s folk/blues boom, cutting his first album in 1968. Ever since, he has single-mindedly pursued his blues muse, carrying the torch of traditional acoustic blues all the way into the 21st century. Though
Geremia
never previously recorded many of the tunes on his live album
Love My Stuff
, it nevertheless offers a good introduction to the Rhode Island-born bluesman's approach. Like
Dave Van Ronk
and
Jorma Kaukonen
,
remains faithful to the old-school Delta and country blues template, and offers a vital, visceral interpretation of that sound, but never resorts to mimicry, consistently stamping his own identity on every song. As is so often the case with great bluesmen,
is probably best encountered in concert, so these live recordings -- mostly from the 2000s, with a couple of '80s cuts thrown in -- capture him at his best. In addition to tackling tunes by
Mississippi John Hurt
Leadbelly
Sleepy John Estes
Charley Patton
, etc.,
offers up some early jazz and jug band songs of a similar vintage, making it all stream seamlessly together. Perhaps even more impressive is the fact that the small handful of original tunes on
sound like they could easily have come from the catalogs of one of the aforementioned blues heroes. Bridging the gap between trad blues and new material is notoriously hazardous for postwar bluesmen, but
makes that move (like most others) with ease. ~ J. Allen
emerged at the tail end of the '60s folk/blues boom, cutting his first album in 1968. Ever since, he has single-mindedly pursued his blues muse, carrying the torch of traditional acoustic blues all the way into the 21st century. Though
Geremia
never previously recorded many of the tunes on his live album
Love My Stuff
, it nevertheless offers a good introduction to the Rhode Island-born bluesman's approach. Like
Dave Van Ronk
and
Jorma Kaukonen
,
remains faithful to the old-school Delta and country blues template, and offers a vital, visceral interpretation of that sound, but never resorts to mimicry, consistently stamping his own identity on every song. As is so often the case with great bluesmen,
is probably best encountered in concert, so these live recordings -- mostly from the 2000s, with a couple of '80s cuts thrown in -- capture him at his best. In addition to tackling tunes by
Mississippi John Hurt
Leadbelly
Sleepy John Estes
Charley Patton
, etc.,
offers up some early jazz and jug band songs of a similar vintage, making it all stream seamlessly together. Perhaps even more impressive is the fact that the small handful of original tunes on
sound like they could easily have come from the catalogs of one of the aforementioned blues heroes. Bridging the gap between trad blues and new material is notoriously hazardous for postwar bluesmen, but
makes that move (like most others) with ease. ~ J. Allen

















