Made in England
could as easily be the follow-up to
Elton John
's self-titled 1970 album as his first recording since the success of his songs for the
Lion King
soundtrack
.
John
has brought back some of his old associates, including percussionist
Ray Cooper
, guitarist
Davey Johnstone
, and, particularly, orchestrator
Paul Buckmaster
, who gave the
album its distinctive sound 25 years ago and contributes four string charts here.
remains a musical jukebox:
"Please"
has a twangy guitar riff that sounds like
the Searchers
, circa 1965, while guest organist
Paul Carrack
brings a soulful
Booker T.
-like feel to
"Man."
As usual, though,
's main vocal influence remains
John Lennon
, especially on the album's first single,
"Believe,"
the lyrics to which also echo the tone of several of
Lennon
's solo
ballads
. Lyricist
Bernie Taupin
is unusually personal, writing mostly in short, simple, declarative sentences and giving his songs one-word titles (
"House,"
"Cold,"
"Pain,"
etc.). His overall theme posits a positive conclusion (
"Blessed"
) eventually triumphing over adversity (
"Lies"
).
never works up much feeling for this concept, though he does come off alternately angry and solemn as the lyrics seem to require, though without ever upsetting the melodic flow. It sounds, in other words, as if
Taupin
had a lot to get off his chest this time around, but his mouthpiece, as usual, was more interested in the sound of the words than in their meaning. Which, given the predictability of the message, seems to have been just as well. ~ William Ruhlmann