With 1982's
The Blue Mask
,
Lou Reed
began approaching more mature and challenging themes in his music, and in 1992,
Reed
decided it was time to tackle the Most Serious Theme of All -- Death.
lost two close friends to cancer within the space of a year, and the experience informed
Magic and Loss
, a set of 14 songs about loss, illness, and mortality. It would have been easy for a project like this to sound morbid, but
avoids that; the emotions that dominate these songs are fear and helplessness in the face of a disease (and a fate) not fully understood, and
's songs struggle to balance these anxieties with bravery, humor, and an understanding of the notion that death is an inevitable part of life -- that you can't have the magic without the loss. It's obvious that
worked on this material with great care, and
contains some of his most intelligent and emotionally intense work as a lyricist. However,
hits many of the same themes over and over again, and while
and his accompanists -- guitarist
Mike Rathke
, bassist
Rob Wasserman
, and percussionist
Michael Blair
-- approach the music with skill and impeccable chops, many of these songs are a bit samey; the album's most memorable tunes are the ones that pull it out of its mid-tempo rut, like the grooving
"What's Good"
and the guitar workout
"Gassed and Stoked."
is an intensely heartfelt piece of music, possessing a taste and subtlety one might never have expected from
, but its good taste almost works against it; it's a sincere bit of public mourning, but perhaps a more rousing wake might have been a more meaningful tribute to the departed. ~ Mark Deming