The debut album by
Agitation Free
followed a somewhat different path than your average
Krautrock
band, veering unexpectedly toward the Middle East, specifically Egypt, in search of atmosphere and material. Underneath the dueling guitars and spacy synth work, desert rhythms and taped sounds of dusky cities percolate, adding depth and spice to the otherwise smooth, Teutonic grooves. It's a tribute to the apparent sincerity of the band that the use of these motifs does not sound at all contrived, instead integrating quite well. The delicate, intricate percussion that concludes
"Ala Tul,"
for instance, sounds as lively as anything by
Steve Reich
from around the same period. Tapes of street songs emerge surprisingly and effectively toward the end of the otherwise stately march
"Khan El Khalili,"
providing a bridge to the
Terry Riley-ish
organ trills that begin the title track.
"Malesch,"
like many of the tracks, spins off into a leisurely stroll, sounding unexpectedly close to some
Grateful Dead
jams. Even when it picks up pace, there's an unhurried quality that fits in nicely with the Saharan undertones of the album.
Malesch
is a solid, even inspired recording that stands somewhat apart from the usual cliches of the genre. Fans of German
progressive rock
from this period will certainly want to hear and enjoy it. ~ Brian Olewnick