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Map of Absences
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Map of Absences in Franklin, TN
Current price: $14.99
Barnes and Noble
Map of Absences in Franklin, TN
Current price: $14.99
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Size: OS
Haitian turntablist/producer
Val Jeanty
(aka
Val-Inc
) met Indian drummer and electronic musician
Ravish Momin
at an artist workshop in Brooklyn in 2017, and the two soon began collaborating as
Turning Jewels Into Water
. Continuing in the direction set by 2018 EP
Which Way Is Home?
,
TJIW
's first full-length is filled with improvisation-based creations that draw from the duo's combined ancestries by electronic instrumentation and samples. They construct broken rhythms using MIDI controllers and drum triggers, and ghostly voices are transmitted via turntable scratches. The choppy rhythms and unpredictable progressions make evident the spontaneity of the duo's creative process; everything sounds live and unprogrammed, and it all moves in a dream-like state. The album's title track mixes tribal drums with
Delia Derbyshire
-esque electronic tones, while "Desert Fire" is a sort of beguiling Afro-dub. The duo keep their ear to global dance music innovations, dedicating one track to Lisbon-based visionary
Nidia
and handing others over to producers such as Kenya's
Slikback
and Mexico City's
Nueve Vidas
. While informed by styles like footwork and kuduro,
never try to directly emulate them, instead forging their own cross-cultural path which envisions a more positive, unified world. ~ Paul Simpson
Val Jeanty
(aka
Val-Inc
) met Indian drummer and electronic musician
Ravish Momin
at an artist workshop in Brooklyn in 2017, and the two soon began collaborating as
Turning Jewels Into Water
. Continuing in the direction set by 2018 EP
Which Way Is Home?
,
TJIW
's first full-length is filled with improvisation-based creations that draw from the duo's combined ancestries by electronic instrumentation and samples. They construct broken rhythms using MIDI controllers and drum triggers, and ghostly voices are transmitted via turntable scratches. The choppy rhythms and unpredictable progressions make evident the spontaneity of the duo's creative process; everything sounds live and unprogrammed, and it all moves in a dream-like state. The album's title track mixes tribal drums with
Delia Derbyshire
-esque electronic tones, while "Desert Fire" is a sort of beguiling Afro-dub. The duo keep their ear to global dance music innovations, dedicating one track to Lisbon-based visionary
Nidia
and handing others over to producers such as Kenya's
Slikback
and Mexico City's
Nueve Vidas
. While informed by styles like footwork and kuduro,
never try to directly emulate them, instead forging their own cross-cultural path which envisions a more positive, unified world. ~ Paul Simpson
Haitian turntablist/producer
Val Jeanty
(aka
Val-Inc
) met Indian drummer and electronic musician
Ravish Momin
at an artist workshop in Brooklyn in 2017, and the two soon began collaborating as
Turning Jewels Into Water
. Continuing in the direction set by 2018 EP
Which Way Is Home?
,
TJIW
's first full-length is filled with improvisation-based creations that draw from the duo's combined ancestries by electronic instrumentation and samples. They construct broken rhythms using MIDI controllers and drum triggers, and ghostly voices are transmitted via turntable scratches. The choppy rhythms and unpredictable progressions make evident the spontaneity of the duo's creative process; everything sounds live and unprogrammed, and it all moves in a dream-like state. The album's title track mixes tribal drums with
Delia Derbyshire
-esque electronic tones, while "Desert Fire" is a sort of beguiling Afro-dub. The duo keep their ear to global dance music innovations, dedicating one track to Lisbon-based visionary
Nidia
and handing others over to producers such as Kenya's
Slikback
and Mexico City's
Nueve Vidas
. While informed by styles like footwork and kuduro,
never try to directly emulate them, instead forging their own cross-cultural path which envisions a more positive, unified world. ~ Paul Simpson
Val Jeanty
(aka
Val-Inc
) met Indian drummer and electronic musician
Ravish Momin
at an artist workshop in Brooklyn in 2017, and the two soon began collaborating as
Turning Jewels Into Water
. Continuing in the direction set by 2018 EP
Which Way Is Home?
,
TJIW
's first full-length is filled with improvisation-based creations that draw from the duo's combined ancestries by electronic instrumentation and samples. They construct broken rhythms using MIDI controllers and drum triggers, and ghostly voices are transmitted via turntable scratches. The choppy rhythms and unpredictable progressions make evident the spontaneity of the duo's creative process; everything sounds live and unprogrammed, and it all moves in a dream-like state. The album's title track mixes tribal drums with
Delia Derbyshire
-esque electronic tones, while "Desert Fire" is a sort of beguiling Afro-dub. The duo keep their ear to global dance music innovations, dedicating one track to Lisbon-based visionary
Nidia
and handing others over to producers such as Kenya's
Slikback
and Mexico City's
Nueve Vidas
. While informed by styles like footwork and kuduro,
never try to directly emulate them, instead forging their own cross-cultural path which envisions a more positive, unified world. ~ Paul Simpson
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1800 Galleria Blvd #1310, Franklin, TN 37067, United States
