As
Kiss
approach 40 years of ridiculous rock & roll fun, it makes sense that their 20th studio album,
Monster
, is more self-referential than anything. Following 2009's
Sonic Boom
, the album marks the second set of tunes by a revamped "original"
lineup, with
Paul Stanley
and
Gene Simmons
joined by new guitarist
Tommy Thayer
and re-emerging
Eric Singer
donning the makeup and personas originated by
Ace Frehley
Peter Criss
, respectively.
is a tremendous throwback to the superhuman partying and heavy metal Ragnaroek of
albums like
Destroyer
Love Gun
, with meaty riffs, hamfisted drumming, and a combination of
Simmons
' patented demonic growls and
Stanley
's interstellar party-starting, not to mention amounts of cowbell that would have been above average even in 1977. "All for the Love of Rock & Roll" is a big-hearted boogie rocker that would have fit on
Frehley
's stoney 1978 solo album, while the campily sinister metal riffage of "The Devil Is Me" and "Freak" fit more into the era of slick radio metal of 1992's
Revenge
. The muddy analog a cappella intro of "Eat Your Heart Out" sets the tone for tongue-in-cheek double entendres updating "Shout It Out Loud" with slightly different lyrics but the same bell-bottomed irreverence. ~ Fred Thomas