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Montmartre: Picasso, Matisse and the Birth of Modernist Art
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Montmartre: Picasso, Matisse and the Birth of Modernist Art in Franklin, TN
Current price: $20.00
Barnes and Noble
Montmartre: Picasso, Matisse and the Birth of Modernist Art in Franklin, TN
Current price: $20.00
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A lively and deeply researched group biography of the vibrant figures who invented modernist art in bohemian Paris at the dawn of the twentieth century
When the young Pablo Picasso first arrived in Paris in 1900, the most progressive young artists all lived and worked in the seedy hillside quarter of Montmartre, in the shade of the old windmills. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joined the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more in revolutionizing artistic expression.
Blending exceptional scholarship with graceful prose, Sue Roe paints a remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of such movements as Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. She shows how daily life in Montmartre—which brought artists together with acrobats and dancers, prostitutes and clowns—provided an essential cauldron for artistic experimentation and for the colorful relationships, friendships, loyalties, and feuds that gave rise to some of the most pathbreaking and lasting works of the twentieth century.
In Montmartre
is a thrilling account of an extraordinary group of artists on the cusp of fame and immortality that brings vividly to life one of the key moments in the history of modern art.
Praise for
:
“A lively and concise account . . . [Roe is] very good at synthesizing and distilling complicated art movements and ideas without getting bogged down in technical details or jargon. And she offers up plenty of juicy tidbits about the artists’ love affairs, infidelities, opium parties, and eccentric habits. . . . Roe’s book is a great introduction to one of the most pivotal periods in 20th century art. Even those familiar with the era will likely find that it broadens their understanding of key players and events.” —Associated Press
When the young Pablo Picasso first arrived in Paris in 1900, the most progressive young artists all lived and worked in the seedy hillside quarter of Montmartre, in the shade of the old windmills. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joined the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more in revolutionizing artistic expression.
Blending exceptional scholarship with graceful prose, Sue Roe paints a remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of such movements as Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. She shows how daily life in Montmartre—which brought artists together with acrobats and dancers, prostitutes and clowns—provided an essential cauldron for artistic experimentation and for the colorful relationships, friendships, loyalties, and feuds that gave rise to some of the most pathbreaking and lasting works of the twentieth century.
In Montmartre
is a thrilling account of an extraordinary group of artists on the cusp of fame and immortality that brings vividly to life one of the key moments in the history of modern art.
Praise for
:
“A lively and concise account . . . [Roe is] very good at synthesizing and distilling complicated art movements and ideas without getting bogged down in technical details or jargon. And she offers up plenty of juicy tidbits about the artists’ love affairs, infidelities, opium parties, and eccentric habits. . . . Roe’s book is a great introduction to one of the most pivotal periods in 20th century art. Even those familiar with the era will likely find that it broadens their understanding of key players and events.” —Associated Press
A lively and deeply researched group biography of the vibrant figures who invented modernist art in bohemian Paris at the dawn of the twentieth century
When the young Pablo Picasso first arrived in Paris in 1900, the most progressive young artists all lived and worked in the seedy hillside quarter of Montmartre, in the shade of the old windmills. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joined the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more in revolutionizing artistic expression.
Blending exceptional scholarship with graceful prose, Sue Roe paints a remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of such movements as Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. She shows how daily life in Montmartre—which brought artists together with acrobats and dancers, prostitutes and clowns—provided an essential cauldron for artistic experimentation and for the colorful relationships, friendships, loyalties, and feuds that gave rise to some of the most pathbreaking and lasting works of the twentieth century.
In Montmartre
is a thrilling account of an extraordinary group of artists on the cusp of fame and immortality that brings vividly to life one of the key moments in the history of modern art.
Praise for
:
“A lively and concise account . . . [Roe is] very good at synthesizing and distilling complicated art movements and ideas without getting bogged down in technical details or jargon. And she offers up plenty of juicy tidbits about the artists’ love affairs, infidelities, opium parties, and eccentric habits. . . . Roe’s book is a great introduction to one of the most pivotal periods in 20th century art. Even those familiar with the era will likely find that it broadens their understanding of key players and events.” —Associated Press
When the young Pablo Picasso first arrived in Paris in 1900, the most progressive young artists all lived and worked in the seedy hillside quarter of Montmartre, in the shade of the old windmills. Over the next decade, among the studios, salons, cafés, dance halls, and galleries of Montmartre, the young Spaniard joined the likes of Henri Matisse, André Derain, Maurice de Vlaminck, Georges Braque, Amedeo Modigliani, Constantin Brancusi, Gertrude Stein, and many more in revolutionizing artistic expression.
Blending exceptional scholarship with graceful prose, Sue Roe paints a remarkable group portrait of the men and women who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion. She describes the origins of such movements as Fauvism, Cubism, and Futurism, and reconstructs the stories behind immortal paintings by Picasso and Matisse. She shows how daily life in Montmartre—which brought artists together with acrobats and dancers, prostitutes and clowns—provided an essential cauldron for artistic experimentation and for the colorful relationships, friendships, loyalties, and feuds that gave rise to some of the most pathbreaking and lasting works of the twentieth century.
In Montmartre
is a thrilling account of an extraordinary group of artists on the cusp of fame and immortality that brings vividly to life one of the key moments in the history of modern art.
Praise for
:
“A lively and concise account . . . [Roe is] very good at synthesizing and distilling complicated art movements and ideas without getting bogged down in technical details or jargon. And she offers up plenty of juicy tidbits about the artists’ love affairs, infidelities, opium parties, and eccentric habits. . . . Roe’s book is a great introduction to one of the most pivotal periods in 20th century art. Even those familiar with the era will likely find that it broadens their understanding of key players and events.” —Associated Press
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