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My Brother the Wind, Vol. 1
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My Brother the Wind, Vol. 1 in Franklin, TN
Current price: $14.99
Barnes and Noble
My Brother the Wind, Vol. 1 in Franklin, TN
Current price: $14.99
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Size: OS
My Brother the Wind
is actually more a companion piece to
Night of the Purple Moon
than its
Vol. 2
namesake.
My Brother the Wind, Vol. 2
is split between
Ra
's solo Moog workouts and full
Arkestra
proceedings, while
shares the same lineup as
, with
Marshall Allen
's alto, piccolo, and flute substituting for
Stafford James
' electric bass.
plays two miniMoogs instead of miniMoog and Rocksichord, with
Danny Davis
on alto and clarinet and
John Gilmore
on drums. But while the focus on
was on composed numbers,
is a much freer session. The title cut is just
on his two miniMoogs and
Gilmore
on drums. One Moog has a bass type setting, while the other sounds something like whistling white noise (wind?). "Intergalaxtic II" is a full freakout session, with both altos going crazy in the right channel,
's drums in the left channel, and the miniMoogs in the center. "To Nature's God" is just
and
again. "The Code of Interdependence" has
really putting the Moogs through their paces, although
also gets some tenor space (with
moving to the drums, presumably). If you're into the "out" side of
Sun Ra
, and like his singular and unorthodox Moog playing, try to find a copy of
. ~ Sean Westergaard
is actually more a companion piece to
Night of the Purple Moon
than its
Vol. 2
namesake.
My Brother the Wind, Vol. 2
is split between
Ra
's solo Moog workouts and full
Arkestra
proceedings, while
shares the same lineup as
, with
Marshall Allen
's alto, piccolo, and flute substituting for
Stafford James
' electric bass.
plays two miniMoogs instead of miniMoog and Rocksichord, with
Danny Davis
on alto and clarinet and
John Gilmore
on drums. But while the focus on
was on composed numbers,
is a much freer session. The title cut is just
on his two miniMoogs and
Gilmore
on drums. One Moog has a bass type setting, while the other sounds something like whistling white noise (wind?). "Intergalaxtic II" is a full freakout session, with both altos going crazy in the right channel,
's drums in the left channel, and the miniMoogs in the center. "To Nature's God" is just
and
again. "The Code of Interdependence" has
really putting the Moogs through their paces, although
also gets some tenor space (with
moving to the drums, presumably). If you're into the "out" side of
Sun Ra
, and like his singular and unorthodox Moog playing, try to find a copy of
. ~ Sean Westergaard
My Brother the Wind
is actually more a companion piece to
Night of the Purple Moon
than its
Vol. 2
namesake.
My Brother the Wind, Vol. 2
is split between
Ra
's solo Moog workouts and full
Arkestra
proceedings, while
shares the same lineup as
, with
Marshall Allen
's alto, piccolo, and flute substituting for
Stafford James
' electric bass.
plays two miniMoogs instead of miniMoog and Rocksichord, with
Danny Davis
on alto and clarinet and
John Gilmore
on drums. But while the focus on
was on composed numbers,
is a much freer session. The title cut is just
on his two miniMoogs and
Gilmore
on drums. One Moog has a bass type setting, while the other sounds something like whistling white noise (wind?). "Intergalaxtic II" is a full freakout session, with both altos going crazy in the right channel,
's drums in the left channel, and the miniMoogs in the center. "To Nature's God" is just
and
again. "The Code of Interdependence" has
really putting the Moogs through their paces, although
also gets some tenor space (with
moving to the drums, presumably). If you're into the "out" side of
Sun Ra
, and like his singular and unorthodox Moog playing, try to find a copy of
. ~ Sean Westergaard
is actually more a companion piece to
Night of the Purple Moon
than its
Vol. 2
namesake.
My Brother the Wind, Vol. 2
is split between
Ra
's solo Moog workouts and full
Arkestra
proceedings, while
shares the same lineup as
, with
Marshall Allen
's alto, piccolo, and flute substituting for
Stafford James
' electric bass.
plays two miniMoogs instead of miniMoog and Rocksichord, with
Danny Davis
on alto and clarinet and
John Gilmore
on drums. But while the focus on
was on composed numbers,
is a much freer session. The title cut is just
on his two miniMoogs and
Gilmore
on drums. One Moog has a bass type setting, while the other sounds something like whistling white noise (wind?). "Intergalaxtic II" is a full freakout session, with both altos going crazy in the right channel,
's drums in the left channel, and the miniMoogs in the center. "To Nature's God" is just
and
again. "The Code of Interdependence" has
really putting the Moogs through their paces, although
also gets some tenor space (with
moving to the drums, presumably). If you're into the "out" side of
Sun Ra
, and like his singular and unorthodox Moog playing, try to find a copy of
. ~ Sean Westergaard
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