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New Korean Cinema: Breaking the Waves
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New Korean Cinema: Breaking the Waves in Franklin, TN
Current price: $21.00
Barnes and Noble
New Korean Cinema: Breaking the Waves in Franklin, TN
Current price: $21.00
Loading Inventory...
Size: Paperback
New Korean Cinema
charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including
Sopyonje
(1993),
Peppermint Candy
(1999),
Oldboy
(2003), and
The Host
(2006).
charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including
Sopyonje
(1993),
Peppermint Candy
(1999),
Oldboy
(2003), and
The Host
(2006).
New Korean Cinema
charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including
Sopyonje
(1993),
Peppermint Candy
(1999),
Oldboy
(2003), and
The Host
(2006).
charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including
Sopyonje
(1993),
Peppermint Candy
(1999),
Oldboy
(2003), and
The Host
(2006).
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