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Obsession
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Obsession in Franklin, TN
Current price: $17.99
Barnes and Noble
Obsession in Franklin, TN
Current price: $17.99
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Size: OS
Obsession
is
James
' first solo album for
Warner Brothers
after roughly ten years at
CBS
.
' first successful
endeavor had him teaming up with
David Sanborn
for the ubiquitous and well-executed
Double Vision
. By
12
,
, like many other keyboardists, had begun to experiment with every gadget that came down the pike with mixed results.
"Obsession"
displays the often chilly sounds of the period synthesizers. The only vocal track,
"Gone Hollywood,"
co-written by
Lenny White
, has good keyboard textures and plaintive vocals from
Lisa Fischer
and blistering guitar solos from
Steve Khan
. Unlike
seems to be more unassuming. While many might be put off by the pure-'80s production values of
"3AM"
and
"Rousseau,"
luckily they have compelling arrangements to ward off boredom. The album's best song,
"Rain,"
is a methodical and pretty track that is an essential for devotees of the often-maligned late-'80s
jazz-pop
era.
certainly works better than
and is a suitable continuation of the style of early-'80s albums
The Genie
Sign of the Times
. ~ Jason Elias
is
James
' first solo album for
Warner Brothers
after roughly ten years at
CBS
.
' first successful
endeavor had him teaming up with
David Sanborn
for the ubiquitous and well-executed
Double Vision
. By
12
,
, like many other keyboardists, had begun to experiment with every gadget that came down the pike with mixed results.
"Obsession"
displays the often chilly sounds of the period synthesizers. The only vocal track,
"Gone Hollywood,"
co-written by
Lenny White
, has good keyboard textures and plaintive vocals from
Lisa Fischer
and blistering guitar solos from
Steve Khan
. Unlike
seems to be more unassuming. While many might be put off by the pure-'80s production values of
"3AM"
and
"Rousseau,"
luckily they have compelling arrangements to ward off boredom. The album's best song,
"Rain,"
is a methodical and pretty track that is an essential for devotees of the often-maligned late-'80s
jazz-pop
era.
certainly works better than
and is a suitable continuation of the style of early-'80s albums
The Genie
Sign of the Times
. ~ Jason Elias
Obsession
is
James
' first solo album for
Warner Brothers
after roughly ten years at
CBS
.
' first successful
endeavor had him teaming up with
David Sanborn
for the ubiquitous and well-executed
Double Vision
. By
12
,
, like many other keyboardists, had begun to experiment with every gadget that came down the pike with mixed results.
"Obsession"
displays the often chilly sounds of the period synthesizers. The only vocal track,
"Gone Hollywood,"
co-written by
Lenny White
, has good keyboard textures and plaintive vocals from
Lisa Fischer
and blistering guitar solos from
Steve Khan
. Unlike
seems to be more unassuming. While many might be put off by the pure-'80s production values of
"3AM"
and
"Rousseau,"
luckily they have compelling arrangements to ward off boredom. The album's best song,
"Rain,"
is a methodical and pretty track that is an essential for devotees of the often-maligned late-'80s
jazz-pop
era.
certainly works better than
and is a suitable continuation of the style of early-'80s albums
The Genie
Sign of the Times
. ~ Jason Elias
is
James
' first solo album for
Warner Brothers
after roughly ten years at
CBS
.
' first successful
endeavor had him teaming up with
David Sanborn
for the ubiquitous and well-executed
Double Vision
. By
12
,
, like many other keyboardists, had begun to experiment with every gadget that came down the pike with mixed results.
"Obsession"
displays the often chilly sounds of the period synthesizers. The only vocal track,
"Gone Hollywood,"
co-written by
Lenny White
, has good keyboard textures and plaintive vocals from
Lisa Fischer
and blistering guitar solos from
Steve Khan
. Unlike
seems to be more unassuming. While many might be put off by the pure-'80s production values of
"3AM"
and
"Rousseau,"
luckily they have compelling arrangements to ward off boredom. The album's best song,
"Rain,"
is a methodical and pretty track that is an essential for devotees of the often-maligned late-'80s
jazz-pop
era.
certainly works better than
and is a suitable continuation of the style of early-'80s albums
The Genie
Sign of the Times
. ~ Jason Elias
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