Having already made a fine account of themselves on
Today
, the three members of
Galaxie 500
got even better with
On Fire
, recording another lovely classic of late '80s
rock
. As with all the band's work,
Kramer
once again handles the production, the perfect person to bring out
's particular approach. The combination of his continued use of reverb and the sudden, dramatic shifts in the music -- never exploding, just delivering enough of a change -- makes for fine results. Consider
"Snowstorm,"
with
Krukowski
's soft-then-strong drums and
Wareham
's liquid solo and how they're placed in the mix, leading without dominating.
Yang
's vocals became more prominent and her bass work more quietly narcotic than before, while
adds more heft to his playing without running roughshod over everything, even at the band's loudest.
in contrast more or less continues along, his glazed, haunting voice simply a joy to hear, while adding subtle touches in the arrangements -- acoustic guitar is often prominent -- to contrast his beautifully frazzled soloing. Leadoff track
"Blue Thunder"
is the most well-known song and deservedly so, another instance of the trio's ability to combine subtle uplift with blissed-out melancholia, building to an inspiring ending. There's more overt variety throughout
, from the more direct loner-in-the-crowd sentiments and musical punch of
"Strange"
to the
-sung
"Another Day,"
a chance for her to shine individually before
joins in at the end. Again, a cover makes a nod to past inspirations, with
George Harrison
being the songwriter of choice; his
"Isn't It a Pity"
closes out the album wonderfully,
adding vocals and "cheap organ." Inspired guest appearance --
Ralph Carney
,
Tom Waits
' horn player of choice, adding some great tenor sax to the increasing volume and drive of
"Decomposing Trees."
Later CD pressings included the bonus tracks from the
Blue Thunder
EP. ~ Ned Raggett