Given that
Kevin Mahogany
released his debut in 1996, some may say the year 2000 is a bit early for a retrospective. Nevertheless, there are some fine moments on this collection.
Mahogany
's voice is deep, lustrous, and technically flawless. But his motley supporting cast speaks volumes about the way he straddles the straight-ahead and crossover jazz divide. Appearing during the course of this album are saxophonists
Kirk Whalum
,
Michael Brecker
, and
Joe Lovano
; pianists
Brad Mehldau
Cyrus Chestnut
Bob James
(and organist
Larry Goldings
); and guitarists
Peter Bernstein
and
Larry Carlton
.
Because these stylists -- and
's repertoire choices -- contrast so widely, the program seems to jump around too much.
is an effective blues and R&B shouter on tunes like
"I'm Walkin',"
"Yesterday I Had the Blues,"
"I Love You More Than You'll Ever Know."
He's solid in a jazz vein on
"Teach Me Tonight,"
"Nature Boy,"
"Goodbye Pork Pie Hat."
The pop and rock covers are a mixed bag, however:
James Taylor
's
"Don't Let Me Be Lonely Tonight"
Van Morrison
"Wild Honey"
work rather well, but
Bonnie Raitt
"I Can't Make You Love Me"
is less convincing.
"Dock of the Bay,"
a previously unreleased live outtake, doesn't add much of interest to the original, and the string section accompaniment on
"Laura,"
from the
Midnight in the Garden of Good and Evil
soundtrack, is a bit wallpaperish.
's tenor break raises an eyebrow, however.
The music cooks the most when
lend their famous rapport. And
's unmistakable presence on
"Goodbye Pork Pie Hat"
is a delightful surprise.
's voice is consistently good, and capable of handling a wide variety of styles. But in aesthetic terms, it's precisely this stylistic back and forth that makes the album a bit uneven. ~ David R. Adler