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Potters without a Wheel: Ethnography of the Mritshilpis Kolkata
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Potters without a Wheel: Ethnography of the Mritshilpis Kolkata in Franklin, TN
Current price: $190.00
Barnes and Noble
Potters without a Wheel: Ethnography of the Mritshilpis Kolkata in Franklin, TN
Current price: $190.00
Loading Inventory...
Size: Hardcover
This book is an ethnographic study of clay idol-makers of Kumartuli in Kolkata, India. Much of the visibility and identity of Kolkata’s creative culture has been dependent upon the clay artists of Kumartuli for the last 100 years or so. This book explores the nature of the carefully constructed identity of these idol-makers as
mritshilpis
, or clay artists, who, as opposed to ordinary potters, work with their hands instead of a wheel. It looks at how the
consciously embrace and expand their market based on this variation and elevated status as artists instead of artisans and studies the embeddedness of this identity within the commodity markets. It also shows that commodity markets, in this case the market of clay idols, are an outcome of trends of urbanisation, popular demand, corporatisation and commodification of culture, all of which have shaped the contours of clay idol-making as not only an occupation but a brand identity.
Drawing on extensive fieldwork and in-depth interviews, the book highlights the larger structural relationship between urbanisation, indigenous occupational categories and identity politics. It will be indispensable to scholars and researchers of sociology, social anthropology, political studies, cultural history, urban economy, art history, urbanisation, cultural studies and urban sociology.
mritshilpis
, or clay artists, who, as opposed to ordinary potters, work with their hands instead of a wheel. It looks at how the
consciously embrace and expand their market based on this variation and elevated status as artists instead of artisans and studies the embeddedness of this identity within the commodity markets. It also shows that commodity markets, in this case the market of clay idols, are an outcome of trends of urbanisation, popular demand, corporatisation and commodification of culture, all of which have shaped the contours of clay idol-making as not only an occupation but a brand identity.
Drawing on extensive fieldwork and in-depth interviews, the book highlights the larger structural relationship between urbanisation, indigenous occupational categories and identity politics. It will be indispensable to scholars and researchers of sociology, social anthropology, political studies, cultural history, urban economy, art history, urbanisation, cultural studies and urban sociology.
This book is an ethnographic study of clay idol-makers of Kumartuli in Kolkata, India. Much of the visibility and identity of Kolkata’s creative culture has been dependent upon the clay artists of Kumartuli for the last 100 years or so. This book explores the nature of the carefully constructed identity of these idol-makers as
mritshilpis
, or clay artists, who, as opposed to ordinary potters, work with their hands instead of a wheel. It looks at how the
consciously embrace and expand their market based on this variation and elevated status as artists instead of artisans and studies the embeddedness of this identity within the commodity markets. It also shows that commodity markets, in this case the market of clay idols, are an outcome of trends of urbanisation, popular demand, corporatisation and commodification of culture, all of which have shaped the contours of clay idol-making as not only an occupation but a brand identity.
Drawing on extensive fieldwork and in-depth interviews, the book highlights the larger structural relationship between urbanisation, indigenous occupational categories and identity politics. It will be indispensable to scholars and researchers of sociology, social anthropology, political studies, cultural history, urban economy, art history, urbanisation, cultural studies and urban sociology.
mritshilpis
, or clay artists, who, as opposed to ordinary potters, work with their hands instead of a wheel. It looks at how the
consciously embrace and expand their market based on this variation and elevated status as artists instead of artisans and studies the embeddedness of this identity within the commodity markets. It also shows that commodity markets, in this case the market of clay idols, are an outcome of trends of urbanisation, popular demand, corporatisation and commodification of culture, all of which have shaped the contours of clay idol-making as not only an occupation but a brand identity.
Drawing on extensive fieldwork and in-depth interviews, the book highlights the larger structural relationship between urbanisation, indigenous occupational categories and identity politics. It will be indispensable to scholars and researchers of sociology, social anthropology, political studies, cultural history, urban economy, art history, urbanisation, cultural studies and urban sociology.
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