It might be that Madame de Lafayette's novel of passion is one of the greatest in the genre. It is closer to the declamatory theatre of Racine than to anything else in the robust tradition of the English novels of Fielding or Smollett or Dickens. It has generated in John Watson a response in iambics, which seem in English the only way this expressive grandeur can be attempted. Watson has in the past been drawn similarly to the ancient texts of
Daphnis and Chloe
and
Tristan
, where passion is also the currency.
Princess de Clèves
may well be his most sustained success.